Why I Won’t Be Listening to Phil Gigante Anymore

22 01 2016

As a big supporter of the audiobook community, I feel like I may lose some “friends” over this one. I was just going to let it be when I first read about Phil Gigante’s guilty plea for accosting a minor for immoral purposes and possession of child sexually abusive material. As part of his plea deal, two additional charges of using computers to commit a crime were dropped.

All together his charges could have gotten him 28 years in jail. He will serve 4 months in jail, and three at home.

As someone who has promoted Phil, interviewed him, praised him, and on that weird world of online interaction, considered him a friend. My initial thought was to stay quiet on the issue. I truly don’t know the whole story. Basically, all I know is that he was charged due to an inappropriate online relationship he had with a 14 year old girl. He said while pleading “”I had inappropriate conversations on Facebook private messenger” and admitted to having inappropriate pictures of her. I have heard rumors of other actions, but this is all I know for sure.

Honestly, it’s more than enough. There is no excuse for a 49 year old man to knowingly engage in this type of behavior with a minor. Personally, I will never be able to listen to one of his books again.

Yet, I still felt like I should stay quiet. Yet, a few comments have forced me to reconsider this. First off, Author Karen Moning who has been supportive of Phil Gigante and wants him to continue reading her books has stated that what’s being reported isn’t really what happened, that many people know the true story and that he is not a sexual predator.

So, first off, if what is being reported, That he has an inappropriate relationship with a minor and that he admitted it in court isn’t true, then why not tell us the real story? If you know the truth, what is stopping you from sharing it. If you are one of the many people that know what really happened, then feel free to come onto my blog and share what you know. Yet, your super secret inside information that you can’t share has only done one thing, it has given license to those who response is to blame the victim to once again scream and rant about grown men being lured into this kind of behavior by underage vixens.

Even, in some strange fantasy world, this girl initialized and sexualized the interaction, Phil is a 49 year old man taking advantage of a 14 year old girl. He alone is responsible for his behavior. There is this strange idea that men cannot control their corporeal sides so they can’t truly be held responsible when they are lured into inappropriate sexual relationships. This is the ultimate bullshit of scumbag assholes who look to justify their abhorrent behavior.

Yet, what really bothered me was this comment in a group I’m on:

“my guess is it wasn’t as bad as it seems because otherwise 4 months seems a really weak sentence to me? they were probably both pretending not to know which is of course wrong but I’m just glad it wasn’t worse cause I love the KMM books and had he been a “pedophile” I don’t think I could have listened to them again.”

Basically, it can’t be bad because he only got 4 months. This shows a dangerous ignorance to the trend of plea agreements and sentencing that treats such interactions as “minor.” Those who argue against the dangerous rape culture in America as another over reaction of the so called Social Justice Warriors, have not read of the institutional victim blaming that has resulted in Judge’s blaming toddlers for luring grown men into raping them, to plea bargains that allow child rapist and sexual predators to stay off the registry and the blind eye turned to celebrities who abuse their position to prey on women and children. When a formerly obese spokesman for a sandwich company was discovered to be a child rapist our collective response was fat jokes. The fact that Phil only got 4 months in jail should not been seen as a mitigating factor to his crimes, but as further proof of a ineffectual, dangerous and corrupt system and a culture that allows said system to exist.

I have often said that Phil is my favorite narrator. He is a tremendous talent, and has brought many books I love to life. It makes me sad, because he has narrated books for Andrew Vachss, one of the preeminent warriors against the rampant abuse of children. He read Joe Lansdale’s Hap and Leonard series, which will soon become a TV series I am very excited about.

As an audiobook enthusiast, I am saddened by this. As a human I am sickened by this.

After writing most of this, Moning has come out and admitted she didn’t really have super secret info, and will not work with Phil in the future. Sadly, this is way too little too late.

Links

Defending the Indefensible: On Phil Gigante and Karen Marie Moning from Bibliodaze

Red Hot Books: Where is the Feverborn Review

Trout Nation

News Articles on the case:

http://www.mlive.com/news/muskegon/index.ssf/2015/07/facebook_suspicion_leads_to_ar.html

http://www.shorelinemedia.net/ludington_daily_news/news/local/phil-gigante-pleads-guilty-to-accosting-a-child-for-immoral/article_502116d2-71d4-11e5-a921-8b0e8f496b4a.html#.Vp2TfdoHX0g.twitter

Michigan State Sex Offender Registry





My Top 10 Audiobooks of 2015

21 01 2016

It was quite hard for me to come up with a definitive Top 10 list this year. In 2015 I listened to just over 80 audiobooks, ranging from Amazing to well, meh. I was more brutal than usual, quickly stopping any book that didn’t grab me pretty quickly. When putting together this list, my rules were pretty simple, I would stick to 10 books, they would be books produced in 2015 and they would be books that hit that sweet spot between performance and content. When I narrowed my selections down originally, I came up with 20 contenders, with about 5 absolute Top 10 books. It took me a while to whittle the final 15 books into the five final slots, but I put my emphasis on the performance at this point, and that helped a lot. I think this list has a lot of diversity with genre and style, and hope all my readers can find something that suits their tastes.

And yes, it’s been a while since I have posted here at the old ‘lobe. 2015 was an interesting year personally, mostly in a positive way. There has been some ups and downs, and my audiobook listening time has been a constant source of positive influence. A big shout out to the storytellers who helped me through this year.

My Favorite Audiobook of 2015

The Cartel by Don Winslow

Read by Ray Porter

Blackstone Audio

If you are going to invest over 40 hours in an audiobook experience, who better to lead you through it than Ray Porter. When I completed THE POWER OF THE DOG, I felt there was so way Winslow could top this story, and was expecting the sequel to be a bit of a let down. It wasn’t even close. THE CARTEL was even more riveting than it’s predecessor, taking characters you already knew in surprising new places. Yet, what truly amazed me about THE CARTEL was the slew of new, fully realized peripheral players, each one brought to life so completely they could have carried a novel on their own. THE CARTEL taught me things about the War on Drugs and the formation of the Cartels that I never really wanted to know and shined a light on the drastic effects our policies can have on developing nations, but more importantly, it told a hell of a story. Ray Porter was simply brilliant, taping emotions I didn’t know I had. I have always believed that Porter was the best 1st person narrator in the business, but here he proves his skills are just as effective in a 3rd person narrative.

 

My Favorite Apocalyptic Audiobook of 2015

The Only Ones by Carola Dibbell

Read by Sasha Dunbrooke

ListenUp Audiobooks

I have a feeling people are either going to love this audiobook, or hate it. Me personally, I found it absolutely friggin’ brilliant. More importantly, Sasha Dunbrooke gives my favorite performance of the year, taking a complex idiomatic tale and seamlessly infusing life into it. Her performance is as much music as it is narration, creating a unique rhythm to the patois of this post apocalytic world. Dibolla explores uncomfortable truths about motherhood and survival and has created one of the most unique and memorable characters in the flooded post apocalyptic subgenre. Her slow burned post pandemic world feels scarily plausible.

My Favorite Horror Audiobook of 2015

A Head Full of Ghosts by Paul Tremblay

Read by Joy Osmanski

Harper Audio

I think it’s very hard to legitimately scare people. You can thrill them, disturb them, nauseate them, creep them out and disgust them, but to literately invoke fear into the hearts of your audience is a very, very hard task. I can probably name 5 books and movies that actually scared me, not counting that weird train episode of Laverne and Shirley that gave me nightmares when I was 5. Well, A Head Full of Ghost is legitimately, check your underpants for stains, scary. Yet, even better, it is so cleverly written, so well crafted that it may contain one of the most effectively surprising endings that is impossible to spoil because each person reading it, in essence, creates their own ending. Trembley plays on your preconceptions and biases so well, that it feels like he tailors the book to each person who will experience it. Joy Osmanski’s performance is exceptional, capturing the feel of the book, and never getting in the way of the story. In fact, her performance brings added levels to a novel that deserved nothing better than a stellar reading.

My Favorite Hilariously Uncomfortable Audiobook of 2015

Paradise Sky by Joe R. Lansdale

Read by Brad Sanders

Hachette Audio

Joe Lansdale’s tale of Nat Love, aka Deadeye Dick, former Buffalo Soldies and African American Cowboy on the run from an unstable racist upset that a black man looked at his wife’s ass, is maybe the most hilariously uncomfortable audiobook of 2015. There were so many moments that had me laughing out loud, then wondering just what the hell I was laughing at. Lansdale’s punchy, uncluttered prose combined with the ruminations of the main character kept me spellbound, through comedy and tragedy. Brad Sanders performance was delightfully uneven, capturing the essence of Nat Love perfectly infusing the appropriate amount of likeable unreliability into out hero.

My Favorite WTF Did I Just Listen To Audiobook of 2015

The Great Forgetting by James Renner

Read by David Marantz

Audible Studios

“OH, this is an interesting premise….

Wait… what?

But that makes no sense…

Oh, OK…

HOLY SHIT….

Wait…. WHAT!!!!!

I mean, really, can he do that? He can’t do that, right?

HOLY SHIT!!!

What did I just listen to….”

Really, that sums up my experience with THE GREAT FORGETTING only to add that David Marantz does a great job with, well, whatever the hell that was. Brilliant…. I think…

The Final Five

The Crossing by Michael Connelly

Read by Titus Welliver

Hachette Audio

There were a lot of stellar continuations of long running series this year, but top of that list was Michael Connelly’s latest Harry Bosch/Mickey Haller legal/crime thriller. There has been much debate over who should be the voice of Harry Bosch, but with the wonderful new Amazon Prime series, BOSCH, I’m hoping the narrator question is settled for a while. Titus Welliver performance is the perfect blend of stoicism and emotion that befits the main character. Bosch should never be emotive, but Welliver captures the subtleties of the character better than some of the past narrators. Connelly delivers both an effective mystery as well as his best courtroom work since THE BRASS VERDICT.

Futuristic Violence and Fancy Suits by David Wong

Read by Christy Romano

Audible Studios

Wong’s first novel not featuring David and John is an effective dismantling of the superhero genre. OK, maybe that’s too fancy a way of saying it. Basically, this novel bitch slaps the normal superhero novel and then screams nasty invectives at its stunned face. Wong has matured as a writer, and while there isn’t the uneven glee of John Dies at the End, Futuristic Violence and Fancy Suits introduces us to a unique main character and a bunch of weirdos then forces them to deal with duplicitous mayhem using means that defies the norms of genre fiction. Christy Romano is absolutely having fun with this tale, as if she knows she may never get the chance to read something this bizarre again, so she may as well go all out.

Predator One by Jonathan Maberry

Read by Ray Porter

Macmillan Audio

Maberry continues his tradition of making me feel unsafe in my own neighborhood with his latest Joe Ledger science thriller. This times its not alien space bats, or zombies, or mutant animal hybrids plotting to take over the world be releasing a vampyric strain of hemorrhagic fever into Wawa’s delicious coffee. No, instead he just has a drone attack my favorite ballpark leading to a tragedy even worse than the Phillies 2015 season. And that’s just the beginning. Ray Porter should just legally change his name to Joe Ledger, because they are the same dude. So, if you see Ray Porter walking in your direction, I’d say run.

The Long Way to a Small Angry Planet by Becky Chambers

Read by Patricia Rodriguez

Hodder & Stoughton

Well, it may be a stretch to include this book, because it is currently only available at Audible UK, but in a year with a lot of wonderful space adventures from authors like John Scalzi, James SA Corey, Jack Campbell and Ernest Cline, Becky Chamber’s THE LONG WAY TO A SMALL ANGRY PLANET is the most fun you’ll have hopping around the galaxy in a while. Full of colorful characters and a flexible narrative that comes together so well, this book is a joy for pure scifi fans. Patricia Rodriguez gives a delightful performance teetering between whimsy and seriousness. She never downplays the tension but still manages to keep it fun at all times, no matter how grim it seemed.

The Water Knife by Paolo Bacigalupi

Read by Almarie Guerra

Audible Studios

I didn’t want to read THE WATER KNIFE. Although I know for many this is heresy, I hated THE WIND-UP GIRL. Well, by hated I mean, found boring and couldn’t get more than a third of the way through before flinging it out of my ears and searching for an erotic paranormal thriller to cleanse the palate. But, everyone said “Read THE WATER KNIFE” “THE WATER KNIFE is so good.” “Stop being a stupid poopy head Bob!” Well, grudgingly I listened to it. OK, so, yeah, it was pretty awesome. Great characters, interesting world, and an actual story that went, like places and shit. Plus, it was goddam funny. To make things even bettery, the narrator, Almarie Guerra was fantastic. So, yeah, I loved THE WATER KNIFE. I still stand by my opinion of that other Bacigalupi novel.

 

So, yeah, that’s my Top 10. I’m sure there are many of you screaming “What abouts…” So, here are my What Abouterable Mentions:

Robert Crais told a solid story in THE PROMISE with two of my favorite narrators, Luke Daniels and MacLeod Andrew’s duking it out.

I loved MORTE by Robert Repino, but surprisingly found Bronson Pinchot’s performance a bit flat.

Two Thirds of Neal Stephenson’s SEVENESE was amazing. The last third was pretty crappy.

AURORA by Kim Stanley Robinson was well done, and pissed me the fuck off. Screw you, Mr. KSR, you party pooper. I can haz my space colonies.

Will Collyer delivers a fun performance in Chris Holms The Killing Kind, featuring one of the most fun final shootouts any book of 2015.

John Grisham may have his own Lincoln Lawyer in Sebastian Rudd the titlular ROGUE LAWYER, in this series of vignettes that makes a fun listen.

While I didn’t like Claire North’s TOUCH as much as THE MANY LIVES OF HARRY AUGUST, it was still a fun listen thanks to a good performance by Peter Kenny.

Dan Wells picks up his John  Cleaver series with a bang in THE DEVIL’S ONLY FRIEND, and Patrick Lee continues to blend scifi and thrillers together in THE SIGNAL.

In Print, I really loved Brian Keenes, THE LOST LEVEL. Pulp scifantasy at it’s best.





Audiobook Review: Sector 64: Ambush by Dean M. Cole

24 02 2015

Sector 64: Ambush by Dean M. Cole

Read by Mike Ortego

Dean M. Cole

Length: 11Hrs 57Min

Genre: Science Fiction

Grade: B

Let’s face it, we all know that there are aliens out there. Somewhere in the vastness of space, life has sprung up. I mean, if Earth managed to evolve enough to bring us to a point where 50 Shades of Grey is a literary and cinematic phenomenon, then somewhere out there other life, maybe even sentient life, exists. And, would we really blame them if they want to destroy our planet and rid the universe of our menace. That’s the thing about Alien Invasion stories. If there is a species of Alien Life out there who can actually make it to Earth, then we better home they haven’t seen that our cultural contribution to the universe is 50 Shades, or being tied down and abused is the least of our worries.

That being said, I love alien invasion tales and Sector 64: Ambush is a pretty solid one. While the book doesn’t break all that much new ground, it isn’t really your typical Invasion tale either. Most invasion tales take a macro view to the story, giving us multiple big picture perspectives on the devastation an alien attack and the fight against the invaders Sector 64: Ambush gives us a more limited look, based on the perspectives of a few key players. It’s creates a fresh feel to the story, while still utilizing plenty of alien invasion, apocalyptic and military science fiction tropes.

Author Dean M. Cole moves the story along well. His prose is bare bones but polished. Early in the book, he definitely uses the David Weber “introspective infodump” style of giving us a bunch of the set up through the thoughts of some of the key players, but once he has the universe established, it’s pretty much well paced action that drives the narrative. There are a few unnecessary side trips, including a bit of potential sexual violence that I don’t think added much to the story, but overall, the tale stayed on target. Overall, I like the potential for the universe that Cole set up. I am interested in seeing where he make take the story in future installments. Sector 64: Ambush is highly accessible, action filled alien invasion science fiction that should appeal to the fans of the subgenre, while offering just enough little tweaks to give is a unique feel.

Mike Ortego has a old school narrator style that fans of narrators like George Guidall and Richard Ferrone should enjoy. He makes some smart choices along the way, including not trying to hard to give perform female voices that are out of his range. While fitting for the tale, it’s not my favorite style of narration. I personally would have enjoyed a narrator with a bit more energy and range, but this is a stylistic preference and not a true criticism. Ortego does a good job, especially with the alien voices. His pacing, at times, could get a bit staccato, but mostly he handled the action well. The production quality was excellent, and, for the many fans of this style of narration, Sector 64: Ambush should hit a homerun.





Audiobook Review: The Girl on the Train by Paula Hawkins

20 02 2015

The Girl on the Train by Paula Hawkins

Read by Clare Corbett, Louise Brealey, and India Fisher

Penguin Audio

Length: 10Hrs 59Min

Genre: Mystery/Suspense

Grade: A

I often wonder how an author feels when their novel is compared to some cultural phenomenon. Paula Hawkin’s The Girl on the Train is being called the next GONE GIRL. This must be both exciting and frustrating for an author, who wants the book to be commercially successful, yet also must want it to stand on its own. I highly doubt, due to the way the publishing industry works, that Hawkins sat down and said, “I’m going to write the next Gone Girl.” Hell, there have been plenty of twisty novels full of unreliable narrators and despicable characters before Gone Girl and I am sure there will be plenty more . Yet, it’s hard to write a review without at least considering the comparison, and I thought I had two choices, ignore the comparisons completely, or jump on them with full gusto.

So, in my opinion, The Girl on the Train is a better novel than Gone Girl. The twist were more surprising, the set up more unique, and the characters more complex. While Gone Girls relied on it’s tricks to drive the story, Hawkins relies on her strong characterization and unique use of perspective to create a true mystery that never telegraphs its moves. Hawkins plays on our personal misconceptions about gender and class to effectively shape the narrative, creating a unique storytelling style. She often uses what we know or think we know against us. Her characters are unreliable, not because it allows her to surprise us with twists, but because humans are unreliable. Being that we too are unreliable, as readers, we create blocks and misconceptions that she exploits. While the twists aren’t as big as Gone Girl’s twist, I personally felt they were more effective. While the comparisons exist, The Girl on the Train stands on its own both as a thrilling mystery and a intriguing look at some well drawn yet complicated characters.

There are those of us Americans who believe that all British people basically sound the same, so what would be the point in casting three different British narrators to narrate this tale? As with many things, we are so wrong. Clare Corbett, India Fisher and Loise Brealey’s narration enhances this book, giving each character just the right feel that I doubt a singular narrator could achieve. The three narrators helped create three distinct characters, aiding in their development. With the way that the interlocking narratives and tricks of perspective played it, it was vital for each character to have her own distinct voice, otherwise the plot, which often balanced on the razors edge, would have been torn to shreds Yet, instead of this potential mess, The Girl on the Train was one of the most taunt, surprising novels I have read in a while, and easily my favorite audiobook of 2015 thus far.





Audiobook Review: The Silent History by Eli Horowitz, Matthew Derby and Kevin Moffett

18 02 2015

The Silent History by Eli Horowitz, Matthew Derby and Kevin Moffett

Read by Gabra Zackman and LJ Ganser

Audible Studios

Length: 14Hrs 1 Min

Genre: Science Fiction

Grade: B+

The Silent History is supposed to be some evolutionary experiment in story telling, originally using an I-App to tell the story serially through a series of testimonials. I really don’t know about all that. I know, nowadays with the E-Book explosion and new ways of telling stories that for many, format is almost as important as content Yet, since I listened to it on audio and the testimonial style of storytelling has been done by writers as diverse as Dickens, Max Books and most recently Sarah Lotz, the “revolutionary” aspect of The Silent History had very little influence on me. For me, it comes down to just how good of a story it was.

The Silent History has a quasi-apocalyptic set up. Children around the world are being born without the ability to speak. While this doesn’t lead to complete breakdown, it essentially changes the very nature of society. Told in testimonial format, we get first hand perspectives into the changes and adaptations of the world. One of the best aspects of the novel is how the multiple, biased view points creates an unreliable narrative, often showing us important events from multiple perspectives. This immerses , the reader into the world, becoming the arbiter of the values of the time. The authors never seem to pick sides in the tale, just present the individual’s stories.

On a personal level, what really drew me into the story is the underlying question of the nature of disability. Being that I work with people with severe handicaps and have a nephew on the ASD spectrum, the debate into whether The Silents were in fact handicapped due to the fact that they deviated from the norm, or were just another version of humanity hit close to home for me. The authors do a great job presenting the multiple issues in this debate, from those hate anything that is different, to those who want to save them to those who want to raise them up to an almost religious level. The authors showed us how the many sides of the issues, positive and negative, can marginalize those that it most affects. The story did a wonderful job showing us the people involved without telling us how to feel.

The Silent History is smart, well told near future Science Fiction. The quick perspective changes and future history style keeps the reader relatively engaged. With this storytelling style, quick and short works better, and can be effective in adding to tension. For the most part, the authors achieve this. It is a bit overly long, and by the end of the novel I definitely was starting to get a bit of readers fatigue. While the authors brought it together in a unique and compelling way, the long path blunted some of the endings impact.

While the audio version may have lessened the revolutionary aspect of the format of the storytelling, the performances of the narrators elevated the story. Right now, it would be hard to convince me that Gabra Zackman is a singular person. Her broad range of characters were completely distinct and spot on. LJ Ganser also showed great range, with the multiple ages and eccentricities of the characters. Both narrates fully utilized the freedoms of first person storytelling to make this truly feel like a documentary instead of a dry historical reading. Both narrators managed to build tension into the tale, while briskly moving the story along. The Silent History works in audio, largely due to the wonderful nuanced performances of these talented narrators.





Audiobook Review: Jonathan Strange & Mr. Norrell by Susanna Clarke

12 02 2015

Jonathan Strange & Mr. Norrell by Susanna Clarke

Read by Simon Prebble

Macmillan Audio

Length: 32Hrs 2Min

Genre: Fantasy

Grade: A-

A wonderfully performed audiobook can be like music sometimes, it pulls you in with it’s beauty, mesmerizes you with it’s rhythms and cadence and puts you in a altered state. The problem with this is, when the story isn’t as engaging, or you are in a relaxed state, you begin to listen and appreciate the performance more so than what is being performed. You enjoy the experience, and find yourself floating in the music of the words, yet sometimes losing the context behind them. The positive side of this, is sometimes, simple the beauty of the performance keeps you in the game long enough to get sucked into it.

This was in someways my experience with Jonathon Strange & Mr. Norrell, a lavishly written and brilliantly performed fantasy opus about the reemergence of magic to England. For the first third of the novel, I found myself drifting at times. Simon Prebble’s narration carried me away like a master musician, yet the story itself, at times, lost me. Jonathon Strange & Mr. Norrell should have been an extremely hard novel to perform, with frequent sidetrips and added footnotes, that for some narrators would have disrupted the rhythms of the prose, yet Prebble weaves them together flawlessly, making each side trip just another thread in a grand tapestry. It wasn’t until about the 10 hour point, when Strange was working his magic in the aid of England against Napoleon in Spain the performance and story crash together making each worthy of the other.

I choose to listen to Jonathon Strange & Mr. Norrell, after years of hesitation, due to the coming BBC series. I feared the 30 hour time frame, but decided to take the ride. So, this review comes with a big, “late to the party” feel. Do I really need to “review” a novel that had reached such acclaim? All I can do is talk about my experience. Jonathon Strange and Mr. Norrell blends historical and fantasy fiction in a unique way that I loved. It’s told not in a straight path, or even in a non-linear but focused story, but instead the story is like a maze, taking you in many directions, with only a few leading back to the main body of the tail. In many ways, it’s the unconnected side trips that build the heart of the novel. While the battle between Jonathon Strange & Mr. Norrell serves as the base story, the beauty comes in the deeper world that surrounds these narcissistic characters and their almost petty fueding.

I was hesitant to start this novel for many reasons, yet I am glad I took the leap. At times the listening to this audiobook felt like I was sitting in a warm comfortable room, sipping some cocoa while a slightly eccentric but engaging old man tells me of times long ago full of just enough embellishments and asides that the tale feels almost real.





My 2015 Audies Prediction

10 02 2015

The 2015 Audies season is upon us and I for one am excited. Being that I didn’t listen to as many audiobooks in 2014 as I had in the past, I am excited to be taking part in Armchair Audies this year so I can discover some of the missed gems of last year.

In the past, I have felt critical of the Audies process, but I have come to terms with the fact that the process and criteria of an Audie nominated book may not need to exactly shadow what I believe makes a book standout. In the past, I \put much emphasis on the synergy between performance and context. I didn’t believe a title deserved to be nominated unless the content was just as “Award worthy” as the performance. This year, I am focusing more on the technical side, giving more focus to the “audio” then the “book.” Yet, since this is my predictions post, I am going to present some books in a few categories that I believe are worthy of recognition, due to both content and performance appealed to me. I have done well in the past in my predictions, so lets see how I do in 2015.

Let the Armchair Audies Games begin:

Science Fiction:

The Book of Strange New Things by Michel Faber

Read by Josh Cohen

Random House Audio

Josh Cohen’s performance in The Book of Strange New Things is a pure example of what makes audiobooks so special. His transitions from English to American accents were so seamless I had to Google him to discover his true nationality. Yet, it’s the haunting voice of his alien creatures, and the emotional impact of Peter’s communications with his wife Bea that make this not just a title deserving of a nomination in Science Fiction, but should give Cohen, at the least, consideration in Solo Narration of the Year.

World of Trouble, The Last Policeman, Bk. 3

by Ben H. Winters

Read by Peter Berkrot

The Last Policeman series may be the shining star in Peter Berkrot’s luminous career as a narrator. He gives a multifaceted performance that is both funny and emotional. He ushers us through a broken society with a wink, and takes us the brink of the world’s end with a comforting hand on our shoulder. He makes this wonderful novel work on so many levels, truly a performance worthy of the book.

Fantasy:

Words of Radiance by Brandon Sanderson

Read by Michael Kramer and Kate Reading

MacMillan Audio

Words of Radiance is so enthralling that there were moments that I forgot to breath. There is a reason why Michael Kramer and Kate Reading are THE voices of fantasy, they managed to guide me through of nearly 50 hours of audio, in a genre I often struggle with, and leave me wanting more.

Authority: The Southern Reach Trilogy, Book 2

Read by Bronson Pinchot

Blackstone Audio

Jeff Vandermeer’s series about a strange terrain known as Area X has hit a cord with many speculative fiction fans. At times, I personally struggled with the series, but what I never struggled with was Pinchot’s performance in Authority. I know Pinchot is a wonderful performer, what I forgot was how funny he could be. Authority isn’t a humorous novel, but Pinchot is able to tap into the absurdity of the main character to bring the humorous aspects to vivid life.

Paranormal:

Fear City by F. Paul Wilson

Read by Alexander Cendese

Brilliance Audio

Alexander Cendese may be the biggest hidden talent in the audiobook business. His performance in the prequel series, Repairman Jack: The Early Years series, turned me into a fan of the series that spawned the prequels. When I did listen to the Earlier Repairman Jack novels, I found myself missing Cendese, despite excellent narrators like Dick Hill handling them. Given more opportunities, I feel Cendese could become a real force to be reckoned with in the industry.

Broken Monsters by Lauren Beukes

Read by Christine Lakin, Terra Deva, Sunil Mohatra, Robert Morgan Fisher, JD Jackson

Hachette Audio

Broken Monsters is not a comfortable listen. Beukes latest genre busting tale is disturbing on many levels. Yet, the material is brought to brilliant life by this mutli-cast performance. Don’t expect to sleep comfortable after this listening, but do expect to be utterly enthralled.

Mystery\Thriller

The Wolf In Winter by John Connolly

Read by Jeff Harding

Simon & Schuster Audio

John Connolly’s Charlie Parker series finally gets the performance it deserves, at least stateside, with Jeff Harding’s masterful handling of this genre blending novel. Harding, who has read the complete series across the pond in England, finally performs the American version as well. His gruff style manages to catch the flow of the narrative, adding to the chills of this paranormal mystery.

Mr. Mercedes by Stephen King

Read by Will Patton

Simon & Schuster Audio

In all honesty, I was not a fan of this novel. Personally, I though King’s attempt to do a straight mystery thriller fell flat in a genre filled with talented writers. Yet, Will Patton’s performance kept me in the game. Patton managed to make this boring novel interesting, and made me almost care about these characters. Based solely on performance, Mr. Mercedes is an good bet at landing an Audie nomination.

 

Well, there are my predictions. I should be tweeting my reaction to the Audies announcement tomorrow, using the hashtasg #Audies2015.








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