Audiobook Review: Collecting the Dead by Spencer Kope 

31 03 2017

Collecting the Dead by Spencer Kope

Read by P. J. Ochlan

Macmillan Audio

Grade: B-
While I enjoy crime fiction, my least favorite sub genre is serial killers because I find more often than not the books seem to revel in the sadism and gore of the killings. Despite that fact, I decided to give Collecting the Dead, Spencer Kope’s paranormal thriller, a chance based on the paranormal slant and comparison to John Connolly’s Charlie Parker series. On the positive side, Kope doesn’t feel beholden to the overused plot devices of crime fiction. His main character, Magnus “Steps” Craig isn’t some gruff, down on his luck cop struggling with a tragic past and addiction problems. He’s not fighting against a law enforcement bureaucracy that doesn’t understand him. In fact, Kope goes out of his way to present a positive look at the law enforcement community, painting them as hard working heroes in an often thankless job that too often are sabotaged by the people they are fighting to protect. All this, and Steps special abilities separates this from the average cut and dry police procedural. Yet, despite how much I enjoyed Kope’s approach and his intriguing main character, I lost interest in the overall story, the hunt for a serial killer called The Sad Face killer. I found myself enjoying the lighter moments and the interactions between Steps and the nice blend of supporting characters but pretty much uninterested in the overarching tale. This series definitely has potential, Kope sets a good groundwork, creates intriguing characters and offers nice little twists on and often stagnant genre that may appeal to fans of police procedurals and serial killer tales who don’t mind a touch of the supernatural. 
PJ Ochlan does a great job creating the atmospher of this tale. He moves seamlessly between the harsh realities of the procedural hunt to the almost surreal moments when Steps is lost in his past. My only issue is that at times, PJ Ochlan voicing of Steps felt older than the material depicted, at times. He seemed to have a more seasoned feel, yet the author often referred to his youth. Other than that Ochlan’s performance was excellent and vividly brought Kope’s world to life. 

2014 Armchair Audies: Fearless Prediction Post

14 02 2014

So, it’s Armchair Audies time (almost!)

Any day now, the APA will announce the nominees for their 2013 Audie Awards. This has been another great year for Audiobooks, and I feel more and more public scrutiny of the Audies may have interesting affects. Last year, I felt the whole thing was a bit of a fiasco, with one particular company and it’s offshoots almost monopolizing the nominees and an audiobook of the year category made up mostly of celbriturd narrators and productions that were more about hype then the best the industry has to offer. Yet, I’m not totally soured on the whole shebang. I think that we may see some changes to the process in the near future, as the industry changes, so must the awards and I’m quite interested in seeing how these changes take play out.

This year, for Armchair Audies, I will be taking on the Science Fiction and Fantasy categories again. I will probably pick up a third category, after I get a look at the nominees, either Paranormal or Thriller/Suspense.

Today, I will be prediction the nominees in these 4 categories. I am using an intricate formula of my favorites, industry trends, past nominees, hype and WAGs (Wild Ass Guesses) to come up with these nominees. I am also playing a bit with the Genres because, even if a book is decidedly Science Fiction, it very well may be nominated in the Fantasy Category. Also, no once has quite explained exactly what encompasses Paranormal.

So, here are my predictions for The Audies.


The Human Division by  John Scalzi

Read by William Dufris

Audible Frontiers

Steelheart by Brandon Sanderson

Read by MacLeod Andrews

Audible Frontiers

Lexicon by Max Barry

Read by Heather Corrigan and Zach Appelman

Penguin Audio

Love Minus Eighty by Will McIntosh

Read by Kevin T. Collins, Eileen Stevens, and Ali Ahn

Hachette Audio

The Mad Scientist’s Daughter by Cassandra Rose Clarke

Read by Kate Rudd

Angry Robot on Brilliance Audio


The Ocean at the End of the Lane by Neil Gaiman

Read by Neil Gaiman

Harper Audio

The Bone Season by Samantha Shannon

Read by Alana Kerr

Audible for Bloomsbury

Cold Days by Jim Butcher (The Dresden Files, Bk. 14)

Read by James Marsters

Penguin Audio

NOS4A2 by Joe Hill

Read by Kate Mulgrew

Harper Audio

Helen & Troy’s Epic Road Quest by A. Lee Martinez

Read by Khristine Hvam

Audible, Inc.


Doctor Sleep by Stephen King

Read by Will Patton

Simon & Schuster Audio

Warbound, Book III of the Grimnoir Chronicles by Larry Correia

Read by Bronson Pinchot

Audible Frontiers

The Rift Walker by Clay and Susan Griffith (Vampire Empire, Book 2)

Read by James Marsters

Buzzy Multimedia

World War Z: The Complete Edition: An Oral History of the Zombie War by Max Brooks

Read by A Full Cast

Random House Audio

The Shining Girls by Lauren Beukes

Read by Khristine Hvam, Peter Ganim, Jay Snyder, Joshua Boone, Dani Cervone, Jenna Hellmuth

Hachette Audio


Brilliance by Marcus Sakey

Read by Luke Daniels

Brilliance Audio

Gun Machine by Warren Ellis

Read by Reg E. Cathey

Hachette Audio

Red Sparrow by Jason Matthews

Read by Jeremy Bobb

Simon & Schuster Audio

Sycamore Row by John Grisham

Read by Michael Beck

Random House Audio

The Lawyer’s Lawyer by James Sheehan

Read by Rick Zieff

Hachette Audio

Audiobook Review: Doctor Sleep by Stephen King

1 10 2013

Doctor Sleep by Stephen King

Read by Will Patton

Simon & Schuster Audio

Length: 18 Hrs 35 Min

Genre: Horror

Quick Thoughts: Doctor Sleep is an audiobook that will linger with me for a long time, a wonderful and moving story combined with one of the favorite narrator performances of all time. Doctor Sleep is a prime example of just how special the medium can be.

Grade: A+

I think it’s impossible for me to review anything by Stephen King without putting it into context of my history as a reader. Over the past few years he has released books, or had audiobooks released that tie in with significant moments in my reading history. Whether it’s a new Dark Tower novel, or an audiobook version of The Stand, it’s hard for me to write a review of listening to just that book. My experiences with any Stephen King novel is so tied into my past experiences because so much of his work informs and is informed by his other books. There are other worlds than these, and Stephen King’s books bend and weave through these many other books, wrapping a mutliverse up like a beautiful but uneven tapestry. This is why I approached Doctor Sleep with hesitation. I first read The Shining during my initial wave as a Stephen King reader. I was about 14 or 15 and devoured many of his early novels like Carrie, Christine and Cujo. These novels where straight in your face horror tales, some of which could have passed for modern Young Adult novels, which was perfect for me at that point in my life. Then I read The Shining. I’ll be honest, The Shining was never my favorite Stephen King novel. I didn’t have the same relationship that Jen from Jenn’s Bookshelves talked about in her brilliant post about her relationship with that novel. The Shining was a different kind of horror novel than I was used to. It was more subtle, a lingering horror that played around the edges and sneaked into your nightmares from side doors and shadows. It’s a much scarier experience than say, Cujo or Carrie, which hit you in the face with their horror, but it was also an adult style of horror. It scared me for reasons I didn’t understand.

As part of my preparation, I decided to listen to The Shining. I think I understand the brilliance of the novel more now. It still isn’t my favorite Stephen King novel, but I think it’s because the horror the Torrance family undergoes, and the secrets of REDRUM have become an iconic part of our culture that it’s tough to experience it today as King intended it to be experienced. Still, I was surprised by how much I missed within King’s characterizations of Jack Torrance. As someone from a broken home, who hadn’t yet understood what kind of man his father was, back when I first read The Shining, I felt sympathy for Jack Torrance and was almost resentful of Wendy. Now, I realize what a truly despicable man Jack Torrance was. Of course, it’s more complicated than that, but any sympathy I had for the character is gone. King’s depiction of a selfish, self delusional man being manipulated by an evil that tapped into his true nature makes much more sense to me as an adult than it ever did a child. I am glad I decided to listen to The Shining. While I still had issues with it, and my feelings on the narration was that it was pretty much lackluster, and may not have done the story justice, it did make me even more excited to start Doctor Sleep.

Danny Torrance never believed he would give into the temptations of alcohol like his father, but years later he finds himself a drunk, full of regrets and about to hit rock bottom, when his old friend Tony, a remnant of his Shining, lead him to a small New England town. There with the help of a curmudgeonly former drunk, he joins AA, and tries to piece his life back together while working in a hospice where he helps the dying to transition to the next stage, Yet, his Shining isn’t fully dead, and on occasion he is reached out to by Abra, a young girl with perhaps the strongest power he has ever felt. When the True Knott, a group of not quite human travelers who feed off the essence of those with such powers, targets Abra, Danny Torrance, called Doctor Sleep by those who know him, must confront his past in order to protect this young powerful girl.

I often find it really hard to put my thoughts about a work like Doctor Sleep into words that effective portrays the experience I had listening to it. Unlike almost any other author, Stephen King has an ability to totally suck you into a world, where you become so enthralled in in, you never want to escape. Yet, this is hit and miss. There are times where I have struggled through a Stephen King novel like a junky trying to relive the experience of that first high, only to be disappointed. There are other times where you feel like if you just stand on your tippy toes, you may be able to lightly touch that feeling with the your fingers. Then there are times you are just transported into that world with no effort of your own. Doctor Sleep was this type of experience. From the first moments, I was pulled into Danny Torrance’s world, and the special magic of the written word that encompassed it.  Stephen King has created a tale that is both familiar and utterly different. While a sequel to The Shining, and dependent on it for back-story, it doesn’t depend on it for style or substance. King creates a whole new mythology for this world, and does it seamlessly like it’s what he intended from the very start. I found the True Knot to be one of his most fascinating concepts, a group of olderish road travelers riding the American roads in Winnebago’s and Recreational Vehicles who are in fact, a unique type of vampiric community. King does what he does so well, taking something that is seemingly innocuous and tapping into its hidden creepiness. He somehow makes you feel like you have always felt there was something just a bit off when you would see people like this, even if you never realized it on a conscience level.

Yet, the true heart and soul of Doctor Sleep is the journey of Danny Torrance. Danny’s journey feels like his father’s journey in reverse, a man giving into his inner goodness. Doctor Sleep is full of so many touching, self revelatory moments.  Ever since the infamous accident that almost killed King and very well may have ended his career, each novel, on some level, has seemed to be King trying to come to terms with his mortality and eventual journey into the irrelevance of history. Doctor Sleep feels like the natural conclusion to this journey. King seems to have finally found some middle ground with the haunting specter of death, and guides us through that discovery. What he has seemed to discover is that in order to accept death, you must come to terms with life. Doctor Sleep is about this, a man discovering his life, and finding his relevance through community and family. It’s also one heck of a wonderful tale, exciting and well told. I know this isn’t much of a review per se. Doctor Sleep affected me in a way where I can’t say, "Oh, I loved the witting here… what great world building or wonderfully developed characters.”  I’m sure the internet will be full of review analyzing and critiquing the novel for its literary value positively or negatively. For me, it was one of the more meaningful listening experiences I have had in a long time, and reminded me that when King is truly on, you should just give into the experience.

One of the interesting things about audio is that it’s easy to pinpoint how a bad performance affected your feeling of the novel, yet it’s not always as easy with a great performance. How much of my love for Doctor Sleep comes from Stephen King’s ability to tell a wonderful story and affect me on a personal level, and how much came from Will Patton’s amazing performance? In the end, I don’t think the answer is that important. In audio, sometimes the symbiosis between text and performance is so intermingled, it does a disservice to try to separate them out. As audiobook reviewers, we often talk about how a narrator’s performance can elevate the text, but less frequently we mention how the author’s words can elevate a narrator. I think Doctor Sleep may have been about as perfect a symbiosis between prose and performance that I have experienced in a long time. Will Patton’s performance was breathtakingly brilliant. His reading of Doctor Sleep will easily find its way into the pantheon of all time great audiobook performances, in my opinion. With a simple pause, or peculiar emphasis, Patton brings King’s words to full life. King will often use italicize and other tricks in his print texts that doesn’t always translate into audio, but Patton let you hear each word as it was intended in ways that even King may not have realized he intended them. Doctor Sleep is an audiobook that will linger with me for a long time, a wonderful and moving story combined with one of the favorite narrator performances of all time. Doctor Sleep is a prime example of just how special the medium can be.

Thanks to Simon & Schuster Audio for providing me with a copy of this title for review.

Audiobook Review: Joyland by Stephen King

28 08 2013

Joyland by Stephen King

Read by Michael Kelly

Simon & Schuster Audio

Length: 7 Hrs 33 Min

Genre: Stephen King with bits of Crime Fiction

Quick Thoughts: Joyland is a mood soaked coming of age tale of a young man’s last summer of childhood, discovering a strange home amidst the work and workers of a struggling amusement park. Also, there’s a murder mystery.  If you are looking for a Crime Fiction novel written by Stephen King, you may be disappointed, instead you get a Stephen King novel that includes a bit of crime fiction. While it doesn’t all work, what does work works beautifully.

Grade: B+

There comes a point in every Stephen King Novel where I can’t help but think, "Damn, this novel is very Stephen King." I have experienced this with other authors, most recently in Joe Hill’s NOS4A2, but the author who this sort of surreal realization of Stephen Kingness occurs the most with is Stephen King. It’s weird, I’ll be reading a novel, and there will be these seemingly pointless side trips that create a specific mood, that somehow end up coming back into play when you least expect it, and I just think, "Man, that’s so Stephen King."  Earlier this year, I listened to The Onion’s Book of Known Knowledge: The Definitive Encyclopaedia of Existing Knowledge. This complete guide to all the knowledge in the world allowed me to realize what I have known in the back of my mind for year. In their entry on Literature, they explained that there are three succinct categories of Literature: Fiction, Non-Fiction and Stephen King. Stephen King is his own genre, and there is nobody working within that genre who better represents it than Stephen King. Yet, even with this knowledge, I was a bit disoriented when I heard that Stephen King would be writing novels for the Hard Case Crime series. Hard Case Crime is a series of Crime Fiction. Crime Fiction falls squarely into the "Fiction" Category, and not the "Stephen King" category. Is it possible that Stephen King could step outside the Stephen King Genre, which I believe was named after him, and write something that wasn’t Stephen King or would this be too meta, forcing the earth out of alignment, dolphins to flee the planet, and the portal to the interdimensional ether to open up and swallow us like a shark snacking on plankton? Yet, just like almost every book within Stephen King’s bibliography, there came that moment in Joyland, where I was "Hey, this novel is very Stephen King." Earth is saved!

Devin Jones is a young college English student, intrigued by an advertisement for summer work at a North Carolina Amusement Park. Devastated by a break up, Devin becomes immersed in the culture of the park, and intrigued by the tales of a ghost who haunts one of the attractions. While looking into the murder of the woman who some believes still lingers at Joyland, Devin meets and older woman and her gravely ill son who opens the door to another side of the mystery. Joyland is a mood soaked coming of age tale of a young man’s last summer of childhood, discovering a strange home amidst the work and workers of a struggling amusement park. Also, there’s a murder mystery. That is the problem with Joyland. As a typical Stephen King tale of otherness simmering under the surface of a seemingly idyllic family attraction, Joyland is another masterstroke in King’s career. As a murder mystery, it falls kind of flat. Luckily, it really doesn’t matter. Strip away the investigation into the murder of a young girl, and its relationship to a series of other murders, Joyland is still a wonderful experience. The murder tale is a bit of a distraction that occurs within the pages occasionally. Whenever Devin would spend time looking into the murder, I was like, "Oh, yeah… that’s right, this is SUPPOSED to be a crime fiction tale." It’s not that the murder mystery was bad, it just felt tacked onto a story that didn’t need it to succeed. Sure, it was competently done, and offered a nice little twist, but the true essence of this story was in Devin and his relationships. King deftly develops these relationships, between Devin and his ex-girlfriend, his housemates and coworkers, and a young handicapped boy and his mother. These relationships are moving and intense and like the best coming of age story, transformational. King explores the world of the amusement park wonderfully, creating its own language, and a mood that doesn’t need to be paranormal to be full of magic. There is a definite feel of melancholy to the tale. King taps into the truism that you never truly realize something is the best moments of your life, until you reflect on it years later. Kin uses this familiar sentiments to develop a true kinship between Devin and the reader. It’s the grand master doing what he does best, with his little flourishes that bring so much to his tale. If you are looking for a Crime Fiction novel written by Stephen King, you may be disappointed, instead you get a Stephen King novel that includes a bit of crime fiction. While it doesn’t all work, what does work works beautifully.

I was excited when I discovered Michael Kelly would be narrating this tale. Kelly is one of those character actors that you often see in key supporting roles on TV, who always manages to make the most out of them, often stealing the show from the stars. Yet, I was also a bit hesitant. Sometimes when an actor I recognize narrates an audiobook, I can’t help but picture them in the role of the main character, and Kelly doesn’t look like a 19 year old college student. Luckily, this was never a problem. Kelly gives a wonderful rich performance that taps into the essence of the character. It’s soft, and understated at time, but manages to bring the mood of King’s writing to the surface. He voiced Devin in a hesitatingly unconfident manner, until those times when the character was truly in his moment, allowing a confidence to overwhelm him, Kelly did a good job with the characters, particularly in the carnie lingo and the varying backgrounds of the cast. His southern accents were soft and warm, feeling real instead of a caricature, and the various other accents all were appropriate to the characters. I will definitely be keeping my eye out for more books narrated by Michael Kelly in the future. 

Audiobook Review: Hair Raising by Kevin J. Anderson

9 08 2013

Hair Raising (Dan Shamble, Zombie PI, Bk. 3) by Kevin J. Anderson

Read by Phil Gigante

Brilliance Audio

Length: 8 Hrs 41 Min

Genre: Paranormal Fantasy

Quick Thoughts: Hair Raising is another monstrously hilarious trip to the Unnatural Quarter where Bearded Ladies can find true love and Cockatrice Fights can turn you into statues. If you have yet to visit this world, Hair Raising is the perfect point to jump into the rumble, whether you are a full time monster enthusiast or just like your paranormal creatures once in a blue moon.

Grade: A-

I often hear people say, "Hey Bob, you’re a funny guy! You should be a comedian." I guess I can be funny. I like to make jokes ranging from the ridiculously corny to the highly offensive, and often said unthinkingly at socially inappropriate times. I have been know to make people snort out in laughter, or complain to an authority figure about my insensitivity, both of which I am quite proud of. I even managed to get my brother Dave to laugh so hard that my aunt thought he was crying. Unfortunately, this happened to occur right in the middle of my Grandfather’s funeral. Yet, it’s not easy to be funny. My ability to come up with a well timed quip can often seem natural, but I often give my eternal editing process a real run for its money. Yet, this doesn’t mean I should be a comedian. While it’s not easy to be truly funny, it is really, really hard to write funny. It’s tough to find something that is universally humorous, and not just funny it the right (or absolutely wrong) situation. Sometimes I try to be funny when I write my reviews. Sometimes, I think, I even succeed. But it’s not easy. For example, after reading Hair Raising, I thought the perfect way to open this review would be a hilarious zombie joke. I like jokes. I like zombies. How hard would it be to pull those two great loves of my life together and tell a really awesome zombie joke? Hell, Kevin J. Anderson has filled this series with some of the corniest and obvious zombie jokes ever, so I should be able to pull off one gut buster. Nothing. Nada. Zip. It’s not easy to think up jokes, or zombie puns, or even take popular jokes and twist them into hilarious plays of our beloved shambles. I just couldn’t pull it off.  Oh, I came up with some strange ideas. Things that resemble jokes, just lacked the one essential element. They weren’t funny. Luckily, this isn’t something that Mr. KJA suffered during the writing of Hair Raising, another joke filled entry is his fantastically fun Zombie detective series. This book, my friend, is funny.

In Hair Raising, our favorite Undead Detective finds himself embroiled in a squabble between full time Werewolves and their monthly counterparts. Both sides claim to be the TRUE werewolves, and it doesn’t help matters that someone is going around, drugging and scalping full time werewolves. Yet, despite being dead, he still needs to make a living wage, so Dan Chambeaux must also work other cases, including a mad scientist who keeps getting defective body parts for a used parts Emporium and another zombie who is being sued for Child support yet denied access to his son. This should be enough, but Dan is suddenly a celebrity when the book, Death Warmed Over, a fictional account of his cases becomes a hint. With all these distractions, can Dan, his partner and his ghost girlfriend prevent a full stage werewolf riot? Kevin J Anderson once again unrestrainedly unleashes every corny joke, monstrously bad pun, and twisted monster trope as he guides us though another adventure in the Unnatural Quarter. I really cannot think of a better way to spend 9 hours of your life. In a would crowded with over serious fiction, dealing with world altering topics, it’s nice to have a series that just lets you sit back and have a good time. Hair Raising is full of so many awesome colorful characters, from biker werewolves to a magical tattoo artist with a “Don’t Worry, Be Happy” mentality. These characters, on top of Anderson’s regular rotation of series regulars, make every moment of this book jump off your preferred listening device. One of my favorite things about Hair Raising is they very meta nature of Dan Shambles new celebrity. While I felt the case this time around was a bit weaker, and sort of obvious, the peripherals situations in this edition of the series make it highly worthwhile. Dan Shamble gets to visit the world horror convention where he is now a star. Anderson gives fandom a mild spanking, but it’s all in lighthearted fun. And despite the fact that the major twists were a bit telegraphed, there were a bunch of little bonus twists along the way to make up for it. There were so many moments to love in this book, with rumbling werewolves, simply horrid customer “service”, zombie flatulence, cockatrices and the world‘s worst hairstylist, and it all comes together in a action filled finale. Hair Raising is another monstrously hilarious trip to the Unnatural Quarter where Bearded Ladies can find true love and Cockatrice Fights can turn you into statues. If you have yet to visit this world, Hair Raising is the perfect point to jump into the rumble, whether you are a full time monster enthusiast or just like your paranormal creatures once in a blue moon.

Phil Gigante continues to do some of his best work in bringing this series to life. While it’s known that his voice can make the ladies swoon, and his pacing puts the thrills in thrillers, what originally turned me into a huge Phil Gigante fan is his sense of comic timing. He delivers the funny like the most seasoned practitioner of all things jovial. He managed to turn some of Anderson’s groaners into full bodied howlers. One thing I really loved about this edition was how descriptive Anderson is with his characters and how Gigante nails them EVERY FRACKIN’ TIME. For me, one of the highlights of this performance was a minor peripheral character describe to be like Edith Bunker. I swear it was like the man channeled Jean Stapleton. I couldn’t stop laughing. In fact, I think I would be willing to pay real American cash money to hear Gigante perform both parts of Those Were the Days by himself. And this was just one of many awesome moments, including a pretty killer mad scientist maniacal laugh, and a menagerie of otherworldly characters. This is one of those series that people just need to experience in audio. I know I could never read a Dan Shamble mystery and not hear the dulcet voice of Phil Gigante in my head, so might as well go for the real thing.

Thanks to Brilliance Audio for providing me with a copy of this title for review.

Armchair Audies 2013 Category Wrap Up Post: Paranormal

22 05 2013

2013 Armchair Audies Category Wrap up: Paranormal:

Ah, Paranormal. The catch all category to throw uneasily labeled genre fiction into. The Paranormal Category seems to be the red headed step child of Speculative Fiction, with an easily malleable definition. Surprisingly, it was one hell of a category this year. Some of my overall favorites made it into this category, with only one real head scratcher title. My listening experiences within this category is why I love this event. I may not have listened to a title like Gunmetal Magic, nor, despite my issues with the series, ever visited Simon R. Green’s Nightside. So, here are the nominees.

Click on Cover Image for My Review

The Greyfriar (Vampire Empire Book One) by Clay and Susan Griffith

Read by James Marsters

Buzzy Multimedia

Length: 10 Hrs 41 Min

Gunmetal Magic by Ilona Andrews

Read by Renee Raudman

Tantor Audio

Length: 12 Hrs 43 Min

My Life as a White Trash Zombie by Diane Rowland

Read by Allison McLemore

Audible Frontiers

Length: 8 Hrs 44 Min

Spellbound by Larry Correia (Book 2 of the Grimnoir Chronicles)

Read by Bronson Pinchot

Audible Frontiers

Length: 16 Hrs 25 Min

The Bride Wore Black Leather by Simon. R. Green (Nightside, Bk. 12)

Read by Marc Vietor

Audible Frontiers

Length: 10 Hrs 31 Min

My Picks

For this category, I decided to break it down into two picks, with a pick for who I think will win, and my overall pick. I did this because it was just so close and I feel both titles deserved recognition. Last Year, Larry Correia’s Hard Magic was by far the best of the lot. This year, the sequel Spellbound had my overall favorite narrator performance. Bronson Pinchot just blew me away. Yet, I have this little itching in my gut that says that James Marster’s performance of The Greyfriar could easily pull it out. It’s a great performance of a fun book, and would be deserving of the win. So:

Who Will Win

My Pick To Win

Audiobook Review: The Bride Wore Black Leather by Simon R. Green

15 05 2013

The Bride Wore Black Leather by Simon R. Green (The Nightside, Bk. 12)

Read by Marc Vietor

Audible Frontiers

Length: 10 Hrs 31 Min

Genre: Paranormal Urban Fantasy

Quick Thoughts: For fans of the series, The Bride Wore Black Leather should be a lot of fun, completing the story in the style of the previous novel. For me, though, this final novel highlighted many of my issues with the earlier novels and stripped away the one aspect of the series I really liked.

Grade: C-

2013 Audie Nomination for Paranormal

Really people, I tried. I love the Armchair Audies Event. It’s one of the few blogging activities I take part in every year that I am proud of. It’s one of the few things I do on my small little slice of the internet that I think both forces me out of my comfort zone, and also provides a valuable service. Sure, I do Zombie Awareness Month, and participate in things like June is Audiobook Month and Jenn’s Bookshelves’ Monsters, Murder and Mayhem events, but for those things I still control the content on my blog. In many ways what I like about Armchair Audies is that the book selections are out of my hands. Last year, I loved the experience. It was really an awesome experience. I have loved the experience so far this year as well, but it has come with more difficulties. From the moment the nominees were announced, I was a bit flummoxed. You can tell just by the nominees alone that one company made a concerted push to have their titles at the forefront of the selection process. The nominees both in my categories and in other had me shocked, and a bit dismayed at times. It had me doubting the process. Some of that was saved after listening to the two selections from Recorded Books in the Fantasy category, but since then, I have been pretty much under whelmed. My favorite category, Science Fiction was practically all titles I have already listened to. Then came paranormal, which had some really amazing titles, but also one title that was the 12th in a series. Yet, I was going to try. I was going to pool my resources, and listened to as many of the 11 prequels as I could. I had the time management skills, and the determination. I made it to Book 6, and then I just couldn’t. I saw all the other awesome books I could have been listening to instead of this series, which was, in my opinion, mediocre. So, I broke my cardinal rule, and skipped ahead to Book 12, the Audie nominated entry of Simon R. Green’s Nightside series, The Bride Wore Black Leather.

So, I’m going to keep the summary of the book short. Basically, the Nightside series is ending. Some bad guy decides he wants to make The Nightside a 60’s paradise and force The Nightside, where it is always 3 AM, into the light and of course, this is a bad thing, because then where will all the monsters go to terrorize people. Groan… Listen, Simon R. Green’s Nightside isn’t a bad series. I can understand why it has a following. I personally felt like the one story arch was pretty strong, but not strong enough to keep me interested. The thing I like most about this series is the strange camaraderie between an oddball group of characters, and the essence of this final edition of the story was stripping John Taylor away from his friends, thus eliminating my favorite aspect. In fact, the Bride mentioned in the title, John Taylor’s fiancé Susie Shooter doesn’t even show up in the tale until the last 30 minutes of the audiobook. Like most of the series, it’s not bad, just mostly blah for me. As John Taylor freely admits, he isn’t really an Investigator, which sucks for a series about a guy who runs a Private Investigator firm in a strange magical section of London where it’s always 3AM. He’s a guy with a gift that is moved around on a chessboard by unseen forces in order to use that gift. He has a knack for getting out of bad scrapes, which of course, he allows himself to be maneuvered into regularly. He’s a hero with no agency, surviving by the ultimate Dues ex machina, and waits patiently for the villain to reveal his evil plan before stumbling on a way to thwart it. I love the setting of the story, the bizarre world, the blending of speculative fiction tropes and genres, I just never became invested in the plots of the tale enough to give two shits and a half of a giggle. Skipping from book 6 to book 12, you would think you would feel lots of holes in the story and want to find what filled them. Sure, there were holes but only on a few occasions was I in the slightest way tempted to fill them. Fans of the series should love this finale, since basically it’s John Taylor going from character to character he knows and reminding all of us about their sordid relationships. The action doesn’t really take off until the final third, and that mostly consists of some of these same people being magically manipulated into acting like douchebags. For me, well, I can’t gather up enough passion to lambaste and bash this title with snark and clever .gifs, so I’ll just say, if you like The Nightside books, you’ll like it. If you’d rather spend 10 hours watching a marathon of episodes of Gilligan’s Planet, then here’s a link to it’s theme on Youtube:

While aspects of the audiobook drove me up a wall, very little of this was due to the narration by Mark Vietor. He had total command of the characters and the setting, and I thought this performance was much more nuanced than in some of the earlier editions. Yet, some of the problems with the writing in this series become BLINKING RED LIGHTS OF DOOM in the audiobook. The repetition was horrible. If I had to hear John Taylor say "…and then it was the easiest thing in the world…" just one more time I would have laced my head in moth pheromones and sat outside under a porch light while they attempted to mate with my skull. FYI, I HATE MOTHS. I was actually going to keep a running count on how many times Vietor ominously said “The Nightside…” in his patented mustache twirling soft British sneer but instead I invested my time more wisely by picturing Justin Beiber on tour with Menudo. That being said, Vietor was quite good and if you like the series, he’s the way to go. Sure, give him an Audie nomination and everything. I mean, he did read 12 of these things.