My 10 Favorite Audiobooks of 2018

1 01 2019

Audiobooks2018

Gone are the days where I get through 200+ audiobooks/books a year but I still try to get through a nice number and you’d be hardpress not to find me with a book in my ear, and others waiting for me on paper and floating in the cloud in digital form.

In 2018 I managed to complete:

88 Audiobooks

12 Print Novels/Novella

5 Graphic Novels

4 Short Story Antholgies

Here are my Favorites of the year:

The Gone World

The Gone World by Tom Sweterlitsch

Narrated by Brittany Pressley

Penguin Audio

Tom Sweterlitsch takes three well worn sub-genres, the procedural murder mystery, time travel adventure and apocalyptic fiction and twists them into a miasma of something truly original. Sweterlitsch has created a tale full of dark imagery. He creates settings like a visual artist, hauntingly beautiful, like a nightmare you can’t escape. Yet it’s not this dark landscapes that truly make this novel work, but the human characters he populates them with. No matter how strange the trip gets, and people, it gets pretty damn strange, you never lose the connection with the main character. It is both literary and accessible, the kind of fiction that appeals to those looking for a true work of art and those who just want to read a grand tale of adventure. It’s all topped off with a bittersweet ending that may have pulled a bit of feeling from my hardened soul.

ThisBodys

This Body’s Not Big Enough For the Both of Us by Edgar Cantero

Narrated by January LaVoy

Random House Audio

I absolutely adored this book. It was twisted and obscene in all he ways I love. ‪it’s like the put Phillip K Dick and Phillip Marlowe in a blender, mixed them together on high speed and baked them in a cupcake tray.‬ The uniquely bizarre premise and style didn’t detract from a solidly plotted mystery. January LaVoy handled the gender fluidity of the novel perfectly and pushed the narrative with a kinetic pace.

Cabin

The Cabin At the End of the World by Paul Trembley

Narrated by Amy Landon

Harper Audio

The beauty of a Paul Tremblay novel is he doesn’t spoon feed you the horror but uses your own mind against you. Complex and disturbing, with an ending that goes against the grain in uncomfortable but brilliant ways. I absolutely loved this book.

CalculatingStars

The Calculating Stars by Mary Robinette Kowal

Narrated by Mary Robinette Kowal

Audible Studios

I have known Mary Robinette Kowal mostly as a narrator and read some of her short fiction. This is her first full length novel I’ve read and I absolutely loved it. It has so many elements I like, part apocalyptic alternative history and part hard science fiction with a focus on developing a space colonization program. While I loved all the science and social stuff in the book, what I truly enjoyed what how real her main character felt.

Down the River Unto the Sea

Down the River Unto the Sea by Walter Mosley

Narrated by Dion Graham

Hachette Audio

Dion Graham handles the narration like a master musician who know just the right instrument for the right moment. At times, smooth like a saxophone, at others, driving the pace like a bass guitar, Graham uses his voice like he’s scoring a film, creating a mood while bringing Mosley’s well conceived characters to life. With some books, I feel like narrators struggle to find the right voice to fit the author’s intent, but here Mosley and Graham seem to be workings like a team, Mosley creating them and Graham revealing their vibrancy. Down the River Unto the Sea succeeds where other tales have failed, to tell a truly human story that doesn’t exploit current events but lives firmly within our world’s new realities.

Murderbot

The MurderBot Diaries by Martha Wells

Including All Systems Red, Artificial Condition, Rogue Protocol and Exit Strategy

Narrated by Kevin B. Free

One of the more intriguing themes of this series is how SecUnit becomes more and more jaded by its interactions with human but his his interactions with artificial beings begin reveal its “human” side. In Rogue Protocol we find hidden depths in what it initially labels a pet robots that plays out well throughout the tale. Kevin R Free continues to shine as the series narrator. He pushes the pace during the action keeping the listener engaged. More importantly, as MurderBot continues to evolve so does Free’s performance adding new levels of introspection and emotion to his voice.

Washington Black

Washington Black by Esi Edugyan

Narrated by Dion Graham

Random House Audio

I was a little skeptical going into Washington Black mostly due to the fact that it was outside my comfort zone, yet I was quickly won over by its engaging main character and the sense of adventure in the story. Edugyan creates a tale of unequal friendship, set in a uneasy cultural landscape full of uncomfortable truths that makes you think while entertaining. What truly helps is the the narration of Dion Graham who, while a personal favorite, still manages to amaze me with his performance.

Still of Night

Still of Night by Jonathan Maberry and Rachael Lavin

Narrated by Ray Porter

Journalstone Publishing

I went into Still of Night expecting a throwaway book, a fun little addition to Maberry’s vast world, and instead I got my favorite Zombie tale of the year. Intriguingly, this book does a lot to connect many of Maberry’s other works in interesting ways. Ray Porter is phenomenal as always, bringing these characters to life in poignant ways.

An absolutely

An Absolutely Remarkable Thing by Hank Green

Narrated by Kristen Sieh and Hank Green

Penguin Audio

With echoes of Ready Player One and the Themis Files An Absolutely Remarkable Thing is #science #fiction for the hashtag generation. Green sets up a scenario that hard core sci-fi fans will embrace but plants it firmly in a world where events only truly happen if they are tweeted out to a significant social media following. Featuring a protagonist whose vapidness has layers making her frustratingly fascinating.

Unbury Carol

Unbury Carol by Josh Malerman

Narrated by Dan John Miller

Random House Audio

This book wasn’t what I expected at all. It was a unique weird western. While pretty much it played it straight, there was enough weirdness simmering at the edges to keep you constantly guessing. The characters were vivid, and the settings stunning. Malerman kept me invested throughout the journey with an ending that unexpectedly paid off. Malerman plays with the tropes of the western in wonderful ways that turns the genre on his head.

Honorable Mentions:

Favorite Non-2018 Listen:

fantasticland

FantasticLand by Mike Bockoven

Narrated by Angela Dawe and Luke Daniels

Brilliance Audio

Favorite Print Reads:

The Only Harmless Great Thing RD3

The Only Harmless Great Thing by Brooke Bolander

Return-to-the-Lost-Level-Generic_776x

Return to the Lost Level by Brian Keene

Hope You All Have a Great Reading Year in 2019.

 

 





My Top 10 Audiobooks of 2015

21 01 2016

It was quite hard for me to come up with a definitive Top 10 list this year. In 2015 I listened to just over 80 audiobooks, ranging from Amazing to well, meh. I was more brutal than usual, quickly stopping any book that didn’t grab me pretty quickly. When putting together this list, my rules were pretty simple, I would stick to 10 books, they would be books produced in 2015 and they would be books that hit that sweet spot between performance and content. When I narrowed my selections down originally, I came up with 20 contenders, with about 5 absolute Top 10 books. It took me a while to whittle the final 15 books into the five final slots, but I put my emphasis on the performance at this point, and that helped a lot. I think this list has a lot of diversity with genre and style, and hope all my readers can find something that suits their tastes.

And yes, it’s been a while since I have posted here at the old ‘lobe. 2015 was an interesting year personally, mostly in a positive way. There has been some ups and downs, and my audiobook listening time has been a constant source of positive influence. A big shout out to the storytellers who helped me through this year.

My Favorite Audiobook of 2015

The Cartel by Don Winslow

Read by Ray Porter

Blackstone Audio

If you are going to invest over 40 hours in an audiobook experience, who better to lead you through it than Ray Porter. When I completed THE POWER OF THE DOG, I felt there was so way Winslow could top this story, and was expecting the sequel to be a bit of a let down. It wasn’t even close. THE CARTEL was even more riveting than it’s predecessor, taking characters you already knew in surprising new places. Yet, what truly amazed me about THE CARTEL was the slew of new, fully realized peripheral players, each one brought to life so completely they could have carried a novel on their own. THE CARTEL taught me things about the War on Drugs and the formation of the Cartels that I never really wanted to know and shined a light on the drastic effects our policies can have on developing nations, but more importantly, it told a hell of a story. Ray Porter was simply brilliant, taping emotions I didn’t know I had. I have always believed that Porter was the best 1st person narrator in the business, but here he proves his skills are just as effective in a 3rd person narrative.

 

My Favorite Apocalyptic Audiobook of 2015

The Only Ones by Carola Dibbell

Read by Sasha Dunbrooke

ListenUp Audiobooks

I have a feeling people are either going to love this audiobook, or hate it. Me personally, I found it absolutely friggin’ brilliant. More importantly, Sasha Dunbrooke gives my favorite performance of the year, taking a complex idiomatic tale and seamlessly infusing life into it. Her performance is as much music as it is narration, creating a unique rhythm to the patois of this post apocalytic world. Dibolla explores uncomfortable truths about motherhood and survival and has created one of the most unique and memorable characters in the flooded post apocalyptic subgenre. Her slow burned post pandemic world feels scarily plausible.

My Favorite Horror Audiobook of 2015

A Head Full of Ghosts by Paul Tremblay

Read by Joy Osmanski

Harper Audio

I think it’s very hard to legitimately scare people. You can thrill them, disturb them, nauseate them, creep them out and disgust them, but to literately invoke fear into the hearts of your audience is a very, very hard task. I can probably name 5 books and movies that actually scared me, not counting that weird train episode of Laverne and Shirley that gave me nightmares when I was 5. Well, A Head Full of Ghost is legitimately, check your underpants for stains, scary. Yet, even better, it is so cleverly written, so well crafted that it may contain one of the most effectively surprising endings that is impossible to spoil because each person reading it, in essence, creates their own ending. Trembley plays on your preconceptions and biases so well, that it feels like he tailors the book to each person who will experience it. Joy Osmanski’s performance is exceptional, capturing the feel of the book, and never getting in the way of the story. In fact, her performance brings added levels to a novel that deserved nothing better than a stellar reading.

My Favorite Hilariously Uncomfortable Audiobook of 2015

Paradise Sky by Joe R. Lansdale

Read by Brad Sanders

Hachette Audio

Joe Lansdale’s tale of Nat Love, aka Deadeye Dick, former Buffalo Soldies and African American Cowboy on the run from an unstable racist upset that a black man looked at his wife’s ass, is maybe the most hilariously uncomfortable audiobook of 2015. There were so many moments that had me laughing out loud, then wondering just what the hell I was laughing at. Lansdale’s punchy, uncluttered prose combined with the ruminations of the main character kept me spellbound, through comedy and tragedy. Brad Sanders performance was delightfully uneven, capturing the essence of Nat Love perfectly infusing the appropriate amount of likeable unreliability into out hero.

My Favorite WTF Did I Just Listen To Audiobook of 2015

The Great Forgetting by James Renner

Read by David Marantz

Audible Studios

“OH, this is an interesting premise….

Wait… what?

But that makes no sense…

Oh, OK…

HOLY SHIT….

Wait…. WHAT!!!!!

I mean, really, can he do that? He can’t do that, right?

HOLY SHIT!!!

What did I just listen to….”

Really, that sums up my experience with THE GREAT FORGETTING only to add that David Marantz does a great job with, well, whatever the hell that was. Brilliant…. I think…

The Final Five

The Crossing by Michael Connelly

Read by Titus Welliver

Hachette Audio

There were a lot of stellar continuations of long running series this year, but top of that list was Michael Connelly’s latest Harry Bosch/Mickey Haller legal/crime thriller. There has been much debate over who should be the voice of Harry Bosch, but with the wonderful new Amazon Prime series, BOSCH, I’m hoping the narrator question is settled for a while. Titus Welliver performance is the perfect blend of stoicism and emotion that befits the main character. Bosch should never be emotive, but Welliver captures the subtleties of the character better than some of the past narrators. Connelly delivers both an effective mystery as well as his best courtroom work since THE BRASS VERDICT.

Futuristic Violence and Fancy Suits by David Wong

Read by Christy Romano

Audible Studios

Wong’s first novel not featuring David and John is an effective dismantling of the superhero genre. OK, maybe that’s too fancy a way of saying it. Basically, this novel bitch slaps the normal superhero novel and then screams nasty invectives at its stunned face. Wong has matured as a writer, and while there isn’t the uneven glee of John Dies at the End, Futuristic Violence and Fancy Suits introduces us to a unique main character and a bunch of weirdos then forces them to deal with duplicitous mayhem using means that defies the norms of genre fiction. Christy Romano is absolutely having fun with this tale, as if she knows she may never get the chance to read something this bizarre again, so she may as well go all out.

Predator One by Jonathan Maberry

Read by Ray Porter

Macmillan Audio

Maberry continues his tradition of making me feel unsafe in my own neighborhood with his latest Joe Ledger science thriller. This times its not alien space bats, or zombies, or mutant animal hybrids plotting to take over the world be releasing a vampyric strain of hemorrhagic fever into Wawa’s delicious coffee. No, instead he just has a drone attack my favorite ballpark leading to a tragedy even worse than the Phillies 2015 season. And that’s just the beginning. Ray Porter should just legally change his name to Joe Ledger, because they are the same dude. So, if you see Ray Porter walking in your direction, I’d say run.

The Long Way to a Small Angry Planet by Becky Chambers

Read by Patricia Rodriguez

Hodder & Stoughton

Well, it may be a stretch to include this book, because it is currently only available at Audible UK, but in a year with a lot of wonderful space adventures from authors like John Scalzi, James SA Corey, Jack Campbell and Ernest Cline, Becky Chamber’s THE LONG WAY TO A SMALL ANGRY PLANET is the most fun you’ll have hopping around the galaxy in a while. Full of colorful characters and a flexible narrative that comes together so well, this book is a joy for pure scifi fans. Patricia Rodriguez gives a delightful performance teetering between whimsy and seriousness. She never downplays the tension but still manages to keep it fun at all times, no matter how grim it seemed.

The Water Knife by Paolo Bacigalupi

Read by Almarie Guerra

Audible Studios

I didn’t want to read THE WATER KNIFE. Although I know for many this is heresy, I hated THE WIND-UP GIRL. Well, by hated I mean, found boring and couldn’t get more than a third of the way through before flinging it out of my ears and searching for an erotic paranormal thriller to cleanse the palate. But, everyone said “Read THE WATER KNIFE” “THE WATER KNIFE is so good.” “Stop being a stupid poopy head Bob!” Well, grudgingly I listened to it. OK, so, yeah, it was pretty awesome. Great characters, interesting world, and an actual story that went, like places and shit. Plus, it was goddam funny. To make things even bettery, the narrator, Almarie Guerra was fantastic. So, yeah, I loved THE WATER KNIFE. I still stand by my opinion of that other Bacigalupi novel.

 

So, yeah, that’s my Top 10. I’m sure there are many of you screaming “What abouts…” So, here are my What Abouterable Mentions:

Robert Crais told a solid story in THE PROMISE with two of my favorite narrators, Luke Daniels and MacLeod Andrew’s duking it out.

I loved MORTE by Robert Repino, but surprisingly found Bronson Pinchot’s performance a bit flat.

Two Thirds of Neal Stephenson’s SEVENESE was amazing. The last third was pretty crappy.

AURORA by Kim Stanley Robinson was well done, and pissed me the fuck off. Screw you, Mr. KSR, you party pooper. I can haz my space colonies.

Will Collyer delivers a fun performance in Chris Holms The Killing Kind, featuring one of the most fun final shootouts any book of 2015.

John Grisham may have his own Lincoln Lawyer in Sebastian Rudd the titlular ROGUE LAWYER, in this series of vignettes that makes a fun listen.

While I didn’t like Claire North’s TOUCH as much as THE MANY LIVES OF HARRY AUGUST, it was still a fun listen thanks to a good performance by Peter Kenny.

Dan Wells picks up his John  Cleaver series with a bang in THE DEVIL’S ONLY FRIEND, and Patrick Lee continues to blend scifi and thrillers together in THE SIGNAL.

In Print, I really loved Brian Keenes, THE LOST LEVEL. Pulp scifantasy at it’s best.





March Audiobook Report

8 04 2014

My March listening was dominated by my decision to Binge listen to the Repairman Jack series. Binge series listening was something I enjoyed doing before I began blogging, but with the drive to keep current, I stopped. Well, f’ that noise. I love a good series binge. It offers interesting insights into the world the author created, and helps a reader like me who tends to lose the details about characters over a long delay. Since the Repairman Jack series is more or less completed and in audio, I gave it a go. Of the 16 books I listened to in March, 7 were Repairman Jack books. The highlight of the month, and perhaps the year was the release of a new Jack Ledger book and a few birthday audiobooks from friends also made the cut. Here is my listens for the month, with some mini-reviews.

Archetype by MD Waters

Read by Khristine Hvam

Penguin Audio

Length: 10 Hrs 12 Min

Genre: Science Fiction

Grade: B

While Khristine Hvam does an excellent job bringing this highly textured novel to life, there was something in the structure of the novel that made Archetype a struggle in audio form. The transition between the dream/memory sequences and real time were confusing, and took time to adjust to. The story itself was solid, straddling the line between classic Young Adult themes and adult dystopians like The Handmaids Tale and The Testament of Jessie Lamb, with a touch more science fiction. MD Waters is a strong storyteller, and Archetype offers a thought provoking tale with a few clever twists along the way.

The Alligator Man by James Sheehan

Read by Ray Chase

Hachette Audio

Length: 10 Hrs 1 Min

Genre: Legal Thriller

Grade: B+

As a fan of James Sheehan’s legal thrillers and a recent convert to Team Ray Chase, I was very excited about The Alligator Man. Sheehan blends the Florida Thriller style of James W. Hall with the legal procedural in an effective manner. I struggled a bit with the storybook reconciliation story between father and son, due to many factors including personal issues. Sheehan doesn’t break too much new ground, telling the story of a Big Firm lawyer looking for redemption, and including some Perry Masonque legal happenings, but all together it works. His character development is superb, and there is enough solid courtroom machinations to please my legal thriller nerd. Ray Chase is again excellent. He struggles early with some breathy female voices, but I think this was more due to the characters than his performance. He has a deep gravely tone that can smooth out in unexpected ways offering surprising range.

Ruins (Partials, Bk. 3) by Dan Wells

Read by Julian Whelan

Harper Audio

Length: 12 Hrs 4 Min

Genre: YA Post Apocalyptic Science Fiction

Grade: B+

Dan Wells is one of the few authors I trust to properly end a series, and he does it solidly in Ruins. A good ending answers the questions you need answered while still leaving enough to allow you brain to linger in world the author created. Ruins is a strong fast paced post apocalyptic tale, with realistic characters and lots of cool weirdo shit along the way. As someone who has read a lot of apocalyptic lit, it’s awesome when an author manages to include elements you just haven’t seen before and her wells offers some of the strangest, most fascinating ecological and biological twists since Heiro’s Journey. Julia Whelan gives another solid performance, never getting in the way of this fun story. A strong finish to another quality Dan Wells series.

Eden Rising (Project Eden, Bk. 5) by Brett Battles

Read by MacLeod Andrews

Audible Studios

Length: 9 Hrs 43 Min

Genre: Post Apocalyptic/Pandemic

Grade: B

MacLeod Andrews reading about the apocalypse. Shit, that’s a no brainer. Brett Battles has upgraded the classic apocalyptic adventure series with a well crafted and fun look at a potential man made pandemic. Lots of cool characters, plenty of action and bad guys getting what they deserve makes this a series perfect for those apocalyptic fanboys and girls looking for something to fill their end of days. Plus, did I mention MacLeod Andrews. Dude kicks ass, right? His handling of these diverse characters adds a thrill to the listen, and he drives the pace like a high schooler with a Trans Am.

Already Reviewed:

Review Pending:

Armchair Audies Listens:

Repairman Jack Series:





Audiobook Review: Code Zero by Jonathan Maberry

31 03 2014

Code Zero (Joe Ledger, Bk. 6) by Jonathan Maberry

Read by Ray Porter

Macmillan Audio

Length: 16 Hrs 3 Min

Genre: SF/Horror Thriller

Grade: A+

In the latest Joe Ledger thriller by Jonathan Maberry…. well, awesomeness happens, Horrible, tragic and often fatal awesomeness, but still… you get the picture. It’s very hard for me to actually review a Joe Ledger novel and this is why I don’t really try. In the last novel, Extinction Machine Maberry took the X-Files to the next extreme, and in the series debut Patient Zero Maberry reminded us why zombies are goddam fucking scary. Really, if god created an author solely for the purpose of putting my worse fears and fanatical likes to paper, Maberry is a robot uprising away from divine perfection. This is why you have to take my review with a grain of salt… an awesome grain of salt. In the latest, Code Zero Maberry has topped himself by returning to some of his previously traveled paths and amping them up with blue meth. One of the standout aspects of Code Zero is that Maberry gives us an alternate view of past events at the Department of Military Sciences through a new set of eyes. Because of this, we got a chance to revisit, if briefly, some beloved fallen comrades. Maberry also manages to create a new kind of bad guy, maniacal in her own way, yet quite different from what we have seen in the series. As with every other book in the series, Maberry doesn’t cut his hero any breaks. Joe is again called on to literally save the world while the potential of tragic personal sacrifice lingers over his head. As a reader, I don’t know how much more I can take, and I am surprised the Joe’s fragile psyche has held up as long as it has. Again, Maberry’s intense action is cinematic in scope. The scenes come alive in your head. Each scene is huge, but Maberry keeps it contained and intimate guiding us through the chaos like a master director. My only negative is that I still haven’t bought in to Joe’s latest love interest. Maybe it’s a residue from the loss of a past love, or perhaps the incongruousness of the relationship. While the relationship is conflicted, it lacks conflict and part of my brain agrees with Violin when she says he needs a women more in his world. Yet, Maberry does use the relationship effectively, adding levels to the story. My other quibbling complain is that, despite his move to the West Coast, Maberry once again releases potentially apocalyptic danger onto the Philly area, but since it’s Willow Grove, I’ll forgive him. (Suggestion: Croydon could use a nice dose of Captain Trips.) The release of a Joe Ledger novels is my Christmas and Code Zero is a gift that doesn’t disappoint.

It must be a great feeling as an author knowing you have a narrator that doesn’t just get what you’re doing but manages to deliver every line with authenticity and emotional impact. Ray Porter, with a simple pause, or a stumbled line, milks every moment of this book to make you truly feel it. His reading raced my heart, gave me chills down my back and had me hiding in the bathroom so people at work didn’t think I had a pet related tragedy. If there is one series to point to and shout “This is how audiobooks should be done” (which admitted I would absolutely do given the right motivation and perhaps one too many Yuengling lagers,) than it’s Ray Porter’s reading of the Joe Ledger series. Take it from this fanboy, I would totally recommend getting a full physical before listening to Code Zero to make sure your heart can take it.





My Top 20 Audiobooks of 2013

23 01 2014

2013 was an up and down year for me. While I achieved some wonderful personal goals, I have also experienced some of the toughest trials and tribulations of my life. Some of that has been reflected on this blog and social media, where my presence is not as active as it once was. Typically, when I write this list, I give a statistical breakdown of my listening. While my overall consumption of audiobooks was up this year, my tracking, recording and reviewing of them were down. In 2013 I reviewed I posted 164 reviews of audiobooks, many of them including multiple titles. Roughly, I believe I listened to around 200 books his year, which would exceed my highest previous total.

2013 was a great year for audio. Any of the Top 5 titles in my list could have been contenders in any previous year. There were so many books that simply blew me away. It is always tough for me to choose my favorites. Instead of asking "What were the best books of 2013?" the question I asked, upon reflecting on the year is "What 2013 books affected me the most?" Whether through heart stopping action, stylistic writing or characters that stay with you, these are the books that lingered in my brain long after they finished. Some made me laugh, a few made me cry, and some made me cringe and want to grab on the closest person near me for a comforting hug.

When compiling this list, I also look for titles that truly stand out in the audio format. Scanning over this list, there is only one title I would say that the narration didn’t enhance the experience, yet that book was full of such awesomeness that the less than amazing performance couldn’t keep it off the list. For a bit of a surprise, there are no Zombie titles and only one true apocalyptic title, so those of you who have pigeon holed me as the "zombie apocalypse guy" may be a bit shocked. Don’t worry, my favorite Zombie and Post Apocalyptic Audiobooks of 2013 list will be on its way.

So, thanks for sticking with me through 2013, and be sure to keep injecting stories into your brain through your earholes for the rest of 2014.

 

Love Minus Eighty by Will McIntosh

Read by Kevin T. Collins, Eileen Stevens, and Ali Ahn

Hachette Audio

Length: 11 Hrs 37 Min

Genre: Science Fiction

What I Said: Love Minus Eighty is one of the most engrossing science fiction novels I have read in a long time. McIntosh has created a darkly beautiful near future world and populated it with characters you truly wish were real. It is an exploration of our romantic future and an affective romance all in one wonderful novel.

Brilliance by Marcus Sakey

Read by Luke Daniels

Brilliance Audio

Length: 12 Hrs 35 Min.

Genre: Sci-Fi Thriller

What I Said: Brilliance is a smart blockbuster movie for your brain, with a complex and engaging main character, a stunningly created world, and so much action you should probably keep your cardiologist on Speed Dial. It’s a a straight thriller with enough science fiction elements that I want to force all my Speculative Fiction friends to read, at gun point if necessary. I absolutely loved this book.

Doctor Sleep by Stephen King

Read by Will Patton

MALE NARRATOR PERFORMANCE OF THE YEAR.

Simon & Schuster Audio

Length: 18 Hrs 35 Min

Genre: Horror

What I Said: Doctor Sleep is an audiobook that will linger with me for a long time, a wonderful and moving story combined with one of the favorite narrator performances of all time. Doctor Sleep is a prime example of just how special the medium can be.

 

Extinction Machine by Jonathan Maberry (Joe Ledger, Bk. 5)

Read by Ray Porter

Macmillan Audio

Length: 14 Hrs 58 Min

Genre: Science Thriller

What I Said: Extinction Machine is like a sick blend of The X-Files and 24, amped up on meth, laced with cocaine, marinated in Jolt cola and mainlined directly into my brain through my earholes. I absolutely loved this book. It’s a novel so tailored to my likes that I briefly wondered if my 2-year-old self was correct and the world actually does revolve around me.

Red Moon by Benjamin Percy

Read by Benjamin Percy

Hachette Audio

Length: 21 Hrs 43 Min

Genre: Literary Horror

What I Said: Benjamin Percy’s Red Moon tells the tale of the afflicted, the demagogues and the victims that this world of werewolves has created. It combines the detailed political and social alternate history of Harry Turtledove or Robert Conroy with the gut level horror of Stephen King told with a literary flair that escalates the novel beyond its influences.

Life After Life by Kate Atkinson

Read by Fenella Woolgar

Hachette Audio

Length: 15 Hrs 34 Min

Genre: Fiction

What I Said: Life After Life is a novel that defies easy categorization. It’s a genre busting look at life in the 20th century through the eyes of a normal women given the extraordinary ability to relive her life. Life After Life is one of the most fascinating novels I have read in a long time, and while at times I felt dragged down by the melancholy of the tale, by the end, I wanted to keep experiencing the many lives of Ursula Todd.

NOS4A2 by Joe Hill

Read by Kate Mulgrew

FEMALE NARRTOR PERERFORMANCE OF THE YEAR

Harper Audio

Length: 19 Hrs 41 Min

Genre: Horror

What I Said: Joe Hill’s latest novel is lush vivid horror tale full of wonderful characters, and unsettling imagery. Hill manages to take the thing we love best, the innocence and joy of Christmas time, and flip it on its head, making it a representation of all that we fear. NOS4A2 is brilliantly executed, leaving a lingering affect on the reader long after it is over.

Warbound, Book III of the Grimnoir Chronicles by Larry Correia

Read by Bronson Pinchot

Audible Frontiers

Length: 17 Hrs 1 Min

Genre: Alternate History Urban Fantasy/Steampunk Superheroes.

What I Said: Larry Correia brings the arc than began in Hard Magic to a natural and completely satisfying conclusion in Warbound. With a combination of amazing storytelling, wonderful characters and one of the best narrator performances I have experienced, The Grimnoir Chronicles has earned it place as perhaps my favorite all time Speculative Fiction Audiobook series.

The Ocean at the End of the Lane by Neil Gaiman

Read by Neil Gaiman

Harper Audio

Length: 5 Hrs 48 Min

Genre: Fantasy

What I Said: I loved every moment of The Ocean at the End of the Lane. It is the rare book that from the wonderful start to the bitter end, kept me enthralled in its words, a prisoner to the next sentence and situation. The Ocean at the End of the Lane reminded me of why I read.

American Elsewhere by Robert Jackson Bennett

Read by Graham Winton

Recorded Books

Length: 22 Hrs 23 Min

Genre: Science Fiction

What I Said: Robert Jackson Bennett takes on the American Dream, and twists it in so many bizarre ways it becomes a kaleidoscope of what-the-fuckery. An engaging plot full of wonderful characters, that Bennett sends on one of the weirdest, wildest sciency fiction adventures my poor brain has ever had to process. Some narration issues may have held back some of it’s overall potential, but it’s still one heck of a good listen.

The Doll by Taylor Stevens (Vanessa Michael Monroe, Bk. 3)

Read by Hillary Huber

Random House Audio

Length: 13 Hrs 46 Min

Genre: Thriller

What I Said: In The Doll, Taylor strips away the trappings of her writing and presents a balls to the wall fast paced action thriller that will leave the reader awash in adrenaline soaked bliss. While her normal touches are still there, her vivid international setting, her complicated character’s unique skill set and her spin on typical action hero motivations, the action in The Doll is crisp and mean which makes it the most satisfying entry in an already excellent series.

The Martian by Andy Weir

Read by RC Bray

Podium Publishing

Length: 10 Hrs 28 Min

Genre: Science Fiction

What I Said: The Martian is probably my biggest surprise awesome audiobook this year. If you like realistic space travel tales, with cursing, 70′s pop culture references, laugh out loud one lines and plenty of fascinating creative science and engineering problem solving, download this sucker now. It’s really good.

The Daylight War by Peter V. Brett (The Demon Cycle, Bk. 3)

Read by Pete Bradbury

Recorded Books

Length:  26 Hrs 51 Min

Genre: Fantasy

What I Said: The Daylight War is not just a wonderful edition in perhaps my favorite fantasy series, but the proof of the validity of the trust I have put in Brett as a unique storyteller. The Daylight War continues with the characters and themes we loved in the first two novels, yet also manages to take the story in a whole new direction. While the clash of cultures is brilliantly done, and the increased menace of the demonic enemy even scarier, it’s the intricate relationships that Brett has built that is the true beauty of this novel.

The Mad Scientist’s Daughter by Cassandra Rose Clarke

Read by Kate Rudd

Angry Robot on Brilliance Audio

Length: 12 Hrs 9 Min

Genre: Science Fiction

What I Said: : The Mad Scientist’s Daughter is a melancholy near future tale of love, family and robots, told on a canvas of a fascinating post disaster world. She fills her world with fully realized, flawed characters that filled me with joy as they were pissing me off. Clarke has managed to create a wonderful science fiction tale with a romantic tilt that I totally bought into. which isn’t the easiest of feats.

The Gods of Guilt by Michael Connelly (Mickey Haller, Bk. 5)

Read by Peter Giles

Hachette Audio

Length: 11 Hrs 49 Min

Genre: Legal Thriller

Why I Chose It: Connelly continues to prove he is a master of both plotting and characterization as he guides his broken creation, criminal defense lawyer Mickey Haller, along a bumpy road to redemption. Connelly redefines the concepts of innocence here, both legally and morally, while creating a compelling procedural tale. Giles continues to give a masterfully subtle performance that captures the nuances of Connelly’s writing.

The Thicket by Joe Lansdale

Read by Will Collyer

Hachette Audio

Length: 10 Hrs 19 Min

Genre: Historical Western/Thriller

Why I Chose It: I tend not to be a huge fan of historical/western tales, but The Thicket simply blew me away. Lansdale’s writing has a way of sneaking up on you. There are no bells and whistles, just straight forward storytelling, that surprises you with it’s emotional depth, colorful characters and dark humor. Collyer is quickly becoming a go to narrator for me. His performance of 16 year old Jack Parker manages to balance the naiveté and maturity of a young man forced to grown up due to tragedy.

The City of Devi by Manil Suri

Read by Vikas Adam and Priya Ayyar

Blackstone Audio

Length: 14 Hrs 17 Min

Genre: Literary Post Apocalypse

Quick Thoughts: The City of Devi was never an easy tale for me, I often felt uncomfortable with not just the action but my reaction, yet, it was also a lot of crazy fun. For me, this tale worked on so many levels, creating a sort of beautiful mosaic of apocalyptic themes, strange love, and over the top absurdity.

Sycamore Row by John Grisham

Read by Michael Beck

Random House Audio

Length: 20 Hrs 50 Min

Genre: Legal Thriller

Why I Chose It: Grisham returns to Clanton and his Jake Brigance character in a tale that rivals the A Time To Kill. Honestly, if you told me that Grisham would appear on my Top 20 list, I would have yelled OBJECTION! but Sycamore Row manages to be a effective legal thriller as well as a socially poignant tale. What makes matters even better is Michael Beck’s narration which is emotionally charged and pitch perfect. His performance enhances this novel, giving it a bump over a few other stellar legal thrillers this year, like Sheehan’s A Lawyer’s Lawyer and Ellis’s The Last Alibi.





Audiobook Review: 21st Century Dead: A Zombie Anthology edited by Christopher Golden

6 05 2013

Zombob2ZAM

2013 Zombie Awareness Month

21st Century Dead edited by Christopher Golden (Check out the Full Story Listing After the Review)

Read by Scott Brick, Cassandra Campbell, Bernadette Dunne, Paul Michael Garcia, Kirby Heyborne, Malcolm Hillgartner, Chris Patton, John Pruden, Renée Raudman, Stefan Rudnicki, Sean Runnette, Simon Vance, and Tom Weiner

Blackstone Audio

Length: 12 Hrs 40 Min

Genre: Zombie Anthology

Quick Thoughts: 21st Century Dead is a zombie anthology full of wonderful, bizarre and diverse stories involving zombies and other iterations of the undead in such variety it would make both Baskin and Robbins jealous. Some of the top tales come from new to me authors like Mark Morris and Amber Benson with a special shout out to Chelsea Cain. If you are looking for a wide variety of unique tales about zombies of all shapes, colors and tastes, 21st Century Dead is a worthwhile buffet of zombie shorts

Grade: B+

So, I was thinking about a good way to explain an excellent and diverse Zombie anthology, because I know the concept is so complex that it needs explaining, and the phrase that popped into my head was “Zombie Smorgasbord.” Oh, boy. When I was in high school, back in what some people refer to as “the 90’s” or what many of my fellow bloggers may call “before I was born” I worked for a now defunct Buffet restaurant. I started as a dishwasher, worked my way up to pots and eventually became a skilled line cook. I never made it out of the kitchen of course because, as my boss at the time explained it, “You have a face for back of the kitchen work.” Back then, I really wasn’t that into Zombie lit. It would be about another 12 years until I read Brian Keene’s The Rising and became a huge Zombie fan. Yet, it was about the time I was working my way through The Stand, and Swan Song for like the third time each, and I totally thought that working at this Buffet would give me a leg up when it came time to load up on supplies for that cross country apocalyptic road trip. So, where was I… oh yeah…? Zombie Smorgasbord. So, when this phrase popped into my mind, so too did wonderful variety of images. I pictured a bunch of Zombies shuffling past a serving table full of entrails, brains and a variety of limbs. I see a plainly decorated establishment where a zombie works the carving station, carving [insert grotesque image here]. I see stalls full of zombies available for the choosing, carefully managed by the FIFO system where the nastiest maggot infested zombies are at the front and the fresher, nearly human looking zombies are in the back. You see, this illustrates my point, a good Zombie anthology is full of a variety of awesome and disturbing, but mostly awesomely disturbing stories for our twisted flavorful brains.

21st Century Dead is a zombie anthology edited by Christopher Golden full of wonderful, bizarre and diverse stories involving zombies and other iterations of the undead in such variety it would make both Baskin and Robbins jealous. This anthology is packed full of some of my favorite authors including Brian Keene, Jonathon Maberry and Thomas E. Sniegoski, some authors I have always wanted to read including SG Browne, Amber Benson and Duane Swierczynski and new to me authors that I must now check out like Ken Bruen, Mark Morris and Stephen Susco. So, now onto the stories. The anthology started out with an intriguing tale of a society adapting to a world with zombies called Biters by Mark Morris. It was a wonderful start to the anthology and put me in the right mind. Then it hit me in the head with a creepy and a bit sardonic poem by Chelsea Cain which, along with the performance of the narrator Cassandra Campbell was one of the highlights of this audiobook. Since there were about 20 tales in all, I won’t mention them all, but for there’s something here from all zombie fans. There are more traditional Zombie Outbreak tales like Jack and Jill by Jonathan Maberry, Couch Potato by Brian Keene and The Dead of Dromore by Ken Bruen, some interesting twists on the undead like Devil Dust by Caitlin Kittredge, Ghost Dog & Pup: Stay by Thomas E. Sniegoski and Tender as Teeth by Stephanie Crawford and Duane Swierczynsk, and some really bizarre tales like The Drop by Stephen Susco, Antiparallelogram by Amber Benson and Carousel by Orson Scott Card.  Sadly, not all the tales were winners. Two of bigger draws for this anthology, Kirt Sutter and Daniel H. Wilson were a bit of a disappointment. I thought Sutter’s tale was simply bizarre, and not in a good way, and while Wilson’s tale, which takes place in the world he created in Robopocalypse, started off well, it lost its way. Yet, most of these tales were a lot of fun. If you are looking for a wide variety of unique tales about zombies of all shapes, colors and tastes, 21st Century Dead is a worthwhile buffet of zombie shorts.

Like the author list, 21st Century Dead was a mix of narrators, many of whom I am familiar with, while others I have wanted to experience for a while. As I said earlier, Cassandra Campbell’s reading of “Why Mothers Let Their Babies Watch Television: A Just-So Horror Story” was delightful and my favorite moment along the way. Scott Brick’s reading of The Drop creeped me out, making a strange story just a bit stranger. It was nice to once again listen to Tom Weiner read a Jonathan Maberry tale. Really, this anthology was just full of excellent performances, including tales read by Chris Patton, Bernadette Dunne, Simon Vance and Paul Michael Garcia. It was a little interesting to hear Sean Runnette reading a non-Tufo Zombie tale, but the story was perfect for his sense of humor. The biggest kudos for this production must go to whoever cast the audiobook. Blackstone did an excellent job placing just the right narrator with the right story.

FULL STORY LISTING

Zombies are good for you: an introduction by Christopher Golden
Biters by Mark Morris
Why mothers let their babies watch television : a just-so horror story by Chelsea Cain
Carousel by Orson Scott Card
Reality bites by S.G. Browne
Drop by Stephen Susco
Antiparallelogram by Amber Benson
How we escaped our certain fate by Dan Chaon
Mother’s love by John McIlveen
Down and out in dead town by Simon R. Green
Devil dust by Caitlin Kittredge
Dead of Dromore by Ken Bruen
All the comforts of home : a beacon story by John Skipp, Cody Goodfellow
Ghost dog & pup : stay by Thomas E. Sniegoski
Tic boom : a slice of love by Kurt Sutter
Jack and Jill by Jonathan Maberry
Tender as teeth by Stephanie Crawford, Duane Swierczynski
Couch potato by Brian Keene
Happy bird and other tales by Rio Youers
Parasite by Daniel H. Wilson

Note: Special Thanks to Blackstone Audio for providing me with a copy of this title for review.





Audiobook Review: Extinction Machine by Jonathan Maberry

3 04 2013

Extinction Machine by Jonathan Maberry (Joe Ledger, Bk. 5)

Read by Ray Porter

Macmillan Audio

Length: 14 Hrs 58 Min

Genre: Science Thriller

Quick Thoughts: Extinction Machine is like a sick blend of The X-Files and 24, amped up on meth, laced with cocaine, marinated in Jolt cola and mainlined directly into my brain through my earholes. I absolutely loved this book. It’s a novel so tailored to my likes that I briefly wondered if my 2-year-old self was correct and the world actually does revolve around me.

Grade: A+

Anyone who is a reader of mystery novels or has any knowledge of Sherlock Holmes has more than likely come across this quote "…when you have excluded the impossible, whatever remains, however improbable, must be the truth." And those of us who have spent anytime between the pages of a science fiction or fantasy novel have probably come across the Arthur C. Clark quote "Any sufficiently advanced technology is indistinguishable from magic." I think the interplay between these two ideas form the basis that is Jonathan Maberry’s excellent science based thriller series featuring Joe Ledger and the Department of Military Sciences. In fact, Clark’s quote is one of his three rules, and sadly the one most often overlooked is the second rule which says, "The only way of discovering the limits of the possible is to venture a little way past them into the impossible." This is exactly what Maberry does with the mystery of a magician, he takes what seems impossible, what has become wrapped in myth and mythology, what is often scoffed at and ridiculed, and makes it seem eerily possible. When reading a Joe Ledger novel, the author doesn’t require you to suspend disbelief, he beats the disbelief out of you. It’s easy to take things like Zombies, bioengineering, Vampires and even Alien technology and dismiss them outright as paranormal impossibilities. I know, I often do it myself. While I am fascinated by these topics, and believe my mind is open to possibilities, that side of me is too often beaten down by my inner skeptic. Except when I am reading Maberry. Maberry doesn’t just make me want to believe. He makes me believe. He makes me think that those who don’t believe are the naive, ridiculous ones. He does this by blending just enough fact into his fiction, where you simply must pay attention. This is why Maberry has become my favorite modern author and his Joe Ledger series is currently my favorite ongoing series of any genre.

As reports of flying saucer sightings skyrocket, and mysterious cyber attacks plague some of the top scientific development companies in the US, Joe Ledger and Echo team are sent to investigate a lead, and walk into a horror show perpetrated by two mysterious agents in back with seemingly impossible gear. Then the president is abducted right out of his bedroom and the only evidence left behind are crop circles in the White House lawn… OK, Let me stop right there. Head onto the internet and find a better summary, because I can’t get past that last statement… CROP CIRCLES ON THE WHITE HOUSE LAWN. Mr. Maberry, get out of my frackin’ brain. I’m serious. This man is a sick demon magician who just pulls out my darkest twisted desire of things I want to see in a novel and puts them to paper, MAKING THEM BETTER THAN I CAN EVEN IMAGINE! Sorry about the caps, but come on… CROP CIRCLES on the mother of god WHITE HOUSE LAWN. Now, I know, most of you guys are not me, but really, all Maberry had to do was write that phrase, and he had me sold. Yet, it was even better that that. Extinction Machine is like a sick blend of The X-Files and 24, amped up on meth, laced with cocaine, marinated in Jolt cola and mainlined directly into my brain through my earholes. I absolutely loved this book. ABSOLUTELY. Now, I typically enjoy a Maberry tale, but Extinction Machine felt like it was custom built for my brain. The great thing about Joe Ledger is he’s not an action hero or superhero in a traditional sense. He is human. He’s conflicted. He is riddled with guilt and burdened with his past. And he totally kicks ass. Maberry takes all you think you may know about alien conspiracies, and put together a scenario that would make even the hardest skeptic think. Yet, Extinction Point is not about making you believe. It about great characters, a compelling plot, true human drama, and action so visually cinematic that I felt the need to carry a bag of popcorn around with me while I listened to it. No matter what labels I slap onto my blog, I am not a true book reviewer. I share my experiences with a book, and my experience with Extinction Point was pure joy, Extinction Point played into everything I love about reading, touching on topics that fascinate me. It’s a novel so tailored to my likes that I briefly wondered if my 2-year-old self was correct and the world actually does revolve around me. I know it’s a bit early, but Extinction Machine is easily my favorite listening experience of 2013.

There are certain series where the audiobook narrator becomes as vital to the story as the actual characters themselves. For me, Ray Porter is as vital a part of The Joe Ledger series as Joe, Ghost, Mr. Church, Bunny, Top and the rest. Porter makes this brilliant transformation when reading the words that Jonathan Maberry puts to page, he becomes Joe Ledger. Porter does what few narrators can do authentically, he adds to the character. Porter doesn’t just read the words, he speaks them as the true Joe Ledger would, full of emotion, humanity, doubt and confliction. He sighs, his voice breaks, he stumbles over thoughts and phrases just like you picture the real character doing. At times, I feel that Porter knows Joe Leger almost as well as the author who created him. Porter also is one of the few narrators who can read with a lightning speed, yet still; give every word its due. He races through the intense action scenes like a bullet, yet never loses the reader. It hard for me to express how much I enjoy this series and the work of this narrator. It truly an amazing experience and one that seems to get better every time I am given the opportunity to experience it.