Welcome to the BIG TWO HOUR SEASON FINALE of The Human Division Listen-A-Long. First off, I want to thank Dave from The Audiobookaneers for being my Listen-A-Long partner. If you haven’t been checking out his thoughts, then you deserve to be sucked out into the vacuum of space without a life protecting Leotard.
I am very happy to hear that John Scalzi has signed a deal for a second season, because this truly makes this feel like a season finale, and not just the end of a book told in a serial manner. I really grew to like these characters, and knowing I should see them again next season makes this parting so much easier to take. Now, on to my thoughts on Earth Below, Sky Above.
I think that any Finale episode, whether it be the end of a TV series, or the last novel in a series, has a greater responsibility and should be evaluated not just as a standalone episode, but also in how it closed out the series. As an episode, Earth Below, Sky Above was awesome. The episode focused on the all important, what we have been building up to all season, conference on Earth position on the CDF and the "B-Teams" role in the negotiation. The first half was fun, sentimental (Harry returning to Earth for the first time) and full of humor, including a fun scene were Harry shows up some meathead soldiers who want to pick a fight with him based solely on the color of his skin (green.) The second half was full of crazy explody action in Space, and on Earth’s Space station. Scalzi knows how to write some of the most accessible, and visual action and he truly gave these scenes a big time blockbuster movie feel. It was so much fun to listen to.
As a finale, I have to admit, I was a bit disappointed. One of my biggest issues with the series as a whole is that the enemy lacked a face. Scalzi does a great job setting up this mysterious cabal that seems to be pitting Earth, the CDF, and The Conclave against each other for some secret agenda which may simply be the end of the CDF, but may not be. Yet, we never really see any actual conspirators, or if we do, they quickly killed off. I was hoping for some level of reveal, perhaps the theorized spy within CDF, or some player at some level of the conspiracy. Especially with the announcement of the second season, I thought it would be nice if our nameless cabal at least was given a name. Yet, the enemy remained conceptual. That being said, Scalzi did manage to pull a lot of threads together, pulling in bits and pieces of the entire series to bring about this stunning conclusion.
Can we all take a moment and raise our glasses to Mr. William Dufris. I really enjoyed the work he has done on this production, and in this final episode, he once again gave a seamless performance. Scalzi’s writing doesn’t always transfer perfectly to audio and Dufris does a great job minimizing any clunkiness. I loved his ability to slow down the chaos of the devastation of Space Station, allowing us to feel these small heartfelt moments with Harry, Schmidt and Coloma. I really enjoyed experiencing this serial in the audio format. Now, for the long wait to Season 2. What will become of our heroes during the hiatus?
One final note and it’s a suggestion to Mr. Scalzi. There is a series of books called The Dead Man, and while it’s not really a serial, it is episodic storytelling. For the audio version of The Dead Man series, each edition starts off with a Bad TV style theme song. So, I call on Mr. Scalzi, and Audible to create a The Human Division Theme Song to be included in the audio versions. I know Mr. Scalzi, being the literary rock star he is, probably hangs out with the likes of Bono, Axl Rose, Harry Connick Jr. and Paul McCartney, so one of these rock stars should help you put together something on your Banjo. Or, even better, have Seanan McGuire write and perform a little ditty for you. Don’t make me start one of those online petitions.
Thanks to everyone who bothered to stop by a read my thoughts on this series. Remember, I’m here all year round!
Welcome to this week’s episode of The Human Division Listen Along. It’s the penultimate episode of the series, and I’m letting you know this because I really love the word penultimate. This week’s episode is titled "The Gentle Art of Cracking Heads." I was looking forward to this episode since I saw the episode name lists, because I thought it was a pretty cool name. Plus, I knew I would get to use the word "penultimate." I am easily pleased.
In this week’s episode we again step away from the B-Team, yet revisit a character from an earlier episode, Danielle Lowen, the daughter of the Secretary of State who was the American reprehensive on the Clarke earlier. And of course, since it was Danielle, Scalzi gets to use the excellent Boozy Expositional trend, where we learn a lot of information during a slightly (or not so slightly) tipsy bar room exchange. In this episode, Danielle is investigating the murder/suicide that occurred during her time on board the Clarke. As she finds out more about the perpetrator, things don’t seem quite right. It doesn’t help that someone seems determined to impede her path, and are willing to go to extreme measures to stop her.
I really liked this episode. It was a change of pace from the intense storyline of last week’s episode, but still had its own intensity. Yet, this episode also frustrated me. It established that there is a secret cabal willing to go to extreme measures for an unknown reason. Yet, this has been well established in Episode 1 and Episode 2 and 3,4,5… The information we received basically only confirmed this. She was investigation an extremely complicated plot, set about by a shadowy group, and all she really confirmed was that the plot was even more complex than she imagined, and the group perhaps even shadowy. It did nothing to shine a light on what we really want to know, which is, who is this shadowy group, and what is their ultimate goal. In fact, I felt this episode was another example of just how complex this overall tale is. On the surface, it’s easy to see this as just another conspiracy tale, like a strange 24 in Space without Jack Bauer running around without bathroom breaks. Yet, for every move and countermove, I find myself making the conspiracy even deeper. Yet, I think when all is revealed, it will be such a simple "I should have thought of that" that I will be annoyed at all the calories I burned coming up with my own complex conspiracy within conspiracy theories. DAMN YOU SCALZI!
I was kinda sad that Dufris didn’t do as much of his drunk Danielle voice as he did in her first appearance, because I really dug drunk Danielle and she really did have a giant fruity alcoholic beverage. As an earth bound tale, Dufris wasn’t required to do much in the way of creepy aliens. Nor was there much true action, just lots of dialogue, some Brazilian’s and not-as-drunk Danielle. Still, it was a whole lot of fun, and Dufris has to rest up a bit for the big two hour commercial free season finale next week where all will be revealed!
If you read my review last week, you will know that I was right… No, no, not about Schmidt being eaten by a swarm of Robo-Beatles (although there’s still time.) I was right that Scalzi was trying to lull is into some sense of complacency then hit us up with the underlining mythology of the series, getting us ready for the final two episodes. This week’s episode starts us off right in the midst of a space battle. I mean, right in the midst. I mean, I was wondering if I screwed up and accidentally started my audiobook halfway through. Luckily, I didn’t and we see that both the Clarke and a ship from the Conclave are being attacked. They are there for a secret meeting to figure out why the other seemed to be making their ships disappear and are ambushed. All this leads to some more clues about just what’s going on… well, sort of.
You see, Scalzi has my brain all twisted into gushy loops. On the obvious level, the purpose of the episode seemed that the secret enemy’s plan fails, allowing both the CDF and the Conclave to realize that they may have a common enemy and work together. Or is it…? [ominous pause] Because this seemed like a sort of dumb plan by a highly motivated enemy, overly complicated and doomed to fail. The enemy seemed awfully prepared for what would happen when the plan failed. Perhaps, someone wants the Conclave and the CDF to seem like they are working together. I can’t help but think that this whole situation is a shadow battle for the loyalty of Earth, and perhaps someone doesn’t want Earth to hook up with the CDF or The Conclave. Or perhaps, they are simply preparing the way for the Robo-Beatle Overlords to take over Earth while The Conclave and CDF are distracted with dogs with crowns, backchannels, Wildcat Colonies, Harvest Day dinners and the mind numbing unreality of the potential for the Chicago Cubs to win the world series in one of the sub dimensions inhabited by skip drive enabled species.
I enjoyed this episode. I like my science fiction a little bit weird with things like sentient brains in boxes. Plus, there were some real heart felt good guy moments for Harry Wilson. It was all sentimental tripe by an author trying to get me to feel something in my cold robotic heart for a poor brain in a box, and, I swear, it didn’t work. I was a brick. But still…. It had humor, adventure, space battles, conspiracy and diplomatic give and take, basically, it was one of the more complete episodes, pushing the story in a direction but not giving any easy answers.
I thought this was one of Dufris better episodes. He transitioned well between the obvious humor and the obvious emotional segments with ease. The early action segment was a little rough, with the quick fire dialogue not feeling natural, but I think this was more a problem with writing than narration. He offered a nice range of characters from the early disembodied style of Rayth Ablant, to the cocky tongue in cheek with a touch of Eastern European voice of Navill Werd. It was all a lot of fun to listen to, and again Dufris shines as a storyteller.
Well, we’re into double digits people! It’s Week 10 of The Human Division, and that Scalzi is a tricksey bastard. I have this strange feeling that he’s lulling us into some sense of complacency, each week moving us a bit away from the overriding conspiracy, until WHAM! He gets all mythological on us. Or, I could be wrong. Also this week Dave is back, after taking a few weeks off due to some crazy made up thing like a new baby or something, our listen along host now has his priorities straight. So, let’s get to the episode.
Synopsis:
Thanksgiving Dinner
My Thoughts:
OK, OK, so, really this wasn’t actually Thanksgiving dinner. Thanksgiving, as we all know, takes place on Earth. This holiday, Harvest Day, takes place on Phoenix, where Diplomatic Assistant Hart Schmidt must deal with his powerful family, all of whom seem to want him to drop out of the Diplomatic Corp, marry a nice girl and take up the family business which is running a whole damn planet. It was nice to learn a bit more about Hart, see a different side to him. That’s basically what this episode was… nice. Nothing really happens. When the episode ends, no real achievement has been unlocked, except for maybe Hart getting the grudging tentative respect of his father. There were no dogs electrocuted. Smart Blood wasn’t used to cook the Turkey. It seemed this episode had no purpose other than make us like Hart a bit more, which of course means HE WILL BE EATEN BY ROBOTIC SPACE BEATLES next episode.
Now, there is nothing wrong with nice. I have had many girls tell me I’m a nice guy, pat me gently on the head, then jump on the back of a motorcycle with a guy wearing a leather jacket. I like being patted on the head. It’s nice. Scalzi took a real risk here because if some of the loose ends aren’t tied up, you know someone, not me of course, will point to this episode and yell, THAT WAS JUST FILLER! WHERE’S THE BEEF SCALZI? WHERE’S THE BEEF? Now, I wouldn’t do that, but still. I liked this episode. It exists. When Scalzi does blow us away with an amazing episode, that rips our hearts out and forever changes not just the Old Man’s War Universe but how we view ourselves as humans, I will remember this one fondly, if I remember it at all.
William Dufris read this nice episode. This one was quite dialogue heavy and because of this and all the He said, she said, probably seemed a little smoother in print, but still. Dufris does well at dialogue, but truly how much variety of voice can you use in a family discussion. It was all nice and fun and pleasant, with little touches and flairs along the way, but definitely not the episode to submit for the Audie nomination. Next week’s episode is called A Problem of Proportion, so we all know that means GREAT KILLER ROBOTIC BEATLE SWARMS WITH AN APPETITE FOR DIPLOMATIC ASSISTANTS. At least, I hope it does.
It’s week nine of John Scalzi’s The Human Division, and this week’s episode The Observers is full of MURDER! LAUGHS! EARTHLINGS! DRUNKEN ADVANCES! FUNNY ALIEN NAMES! AND MUCH MUCH MORE!!!!!
If you can tell by my (ab)use of capital letters and exclamation points, I sort of liked the episode… A LOT!!!! This week we are back with Harry Wilson, Abumwe and the crew of the Clarke undergoing a, well, kinda important I guess but not really negotiation with an alien race for some high tech medical equipment. What makes the negotiation important is that some Earth representatives are there to observe. Hence, the name of the Episode… That Scalzi is a cunning one, I tell you. So, when one of the representatives is found dead in his bed, Harry must figure out what happens before THE WORLD GOES UP IN FLAMES AND EVERYONE DIES HORRIBLE DEATHS or something.
I liked this episode. In fact, I may have been seen giving an imaginary hug to this episode. Of all, I felt it was the most balanced between the humor and serious, as well as adding to the whole mythology of the series. Scalzi also managed to fit in some pop culture references from Marvin the Martian to Kermit the Frog while throwing in an Agatha Christie meets Scooby Do style ending. I was actually waiting for someone to invoke meddling kids, or at least give us a mustache twirl. My only complain, and it’s not a real one, more of a thought, is that Harry and his team seem to have just the right crucial piece of info, or specialized equipment to solve each week’s issue. It’s just all too damn convenient! I can’t help but seeing some big Dues sneering down on them saying, "I’m all up in your Ex Machina, bitches." It was all a lot of fun and was the first episode I thought, "Heck, I’d like to listen to this one again!"
To make things even better William Dufris got to do a funny alien name which involved running your fingers over his lips and blowing like a raspeberry. It was wonderful and invoked a crazy man laugh out of me. In fact, every time Dufris said "Dododo" I felt like he was giving a quick finger point and smirking nod to the listeners. Honestly, though, I totally want to crop out Dufris first iteration of "Dododo" actual name pronunciation and make it my Text Notification tone on my cell phone, if I was at all technically savvy. This week was a lot of fun, but I’m sadly coming to the realization that we only have a month left of these stories, then it’s all back to non-serialized books for me. DAMN YOU TRADITIONAL READING!!!
As part of The Human Division Listen-A-Long, hosted by The Audiobookaneers, I will be posting my thought on each episode on the Friday after release. If you are involved in the Listen-A-Long, or Read-A-Long, or just posting your thoughts each week, feel free to leave a link to your post in the comments and I will add it to my weekly roundup of post.
It’s week 8 of The Human Division Listen-A-Long and we have started what is commonly referred to as The Home Stretch. This week’s episode was "The Sound of Rebellion" was interesting. For fun, let me give you a timeline of how my reactions went.
Oh, another episode away from the B-Team. I’m cool with that.
What a polite interrogator to promise no torture. Don’t trust her Lt. Whatsyourname.
Damn, this episode has lots of internal dialogue… ho… humm…
Kinda sleepy… the auditory mapping thing is ki… zzzzzz…. um… nd of cool.
More cool uses for smart blood… I wonder what I should do this weekend…
HOLY SHIT!!!! COOL JACK BAUERESQUE ASS KICKING! KICK ASS! BURN IT WITH BLOODFIRE!!! THIS CHICK IS BAD ASS!!! NUDE SUPER SOLDIERS FUNKY BLOOD BURNING ACTION SEQUENCES ROCK!!!!!
Government conspiracy. Don’t believe the lies!
Honestly, I’m still not sure what to think of The Sound of Rebellion. I liked the character of Lt. Heather Lee, and found it overall kind of clever. I thought the auditory mapping was pretty cool, even if part of me doubted it was a plausible scenario to develop under such a stressful situation. I also thought there was a lot of valuable information being given to us as readers and listeners, I just really couldn’t figure out what that valuable information was or how it would be important later. I think part of me is becoming just a bit frustrated, because I’m still waiting for that "A Ha!" moment that I know will be coming when pieces start falling into place. Yet, with all my problems, I loved the kick ass action scene. The whole episode had a bit of a 24 in Space feel to it, or maybe Alias on another planet, and I always like to see mean ole torturers get their comeuppance. So, this was probably my least favorite episode so far, but it still totally kicked ass, and I know others out there probably loved it.
One of the interesting conundrums with audiobooks is that sometimes there are audio clues to some mystery that can be revealed by a narrator. For instance, there was a novel where the surprise bad guy was the only Irish character in the book, and in some of the scenes where the "mastery" bad guy talked, the narrator used an Irish accent, pretty much telling us all who the bad guy was. In this episode, the main bad guy was called "2" and the character used voice distortion to keep her capture from recording her voice. I think when you become quite familiar with a narrator, you often become to spot their opposite sex characters. Despite the fact that the voice was distorted, I couldn’t help by think, "That sounds like William Dufris’ Lady Voice." Well, I leave it up to you all to determine if that was correct, because no spoilers. That being said, I liked Dufris work in this episodes. He kept me interested in the slower parts, and smacked me with his pacing when the excitement came. Now, next week, it’s The Observers, who will Observe things, probably with multiple senses.
As part of The Human Division Listen-A-Long, hosted by The Audiobookaneers, I will be posting my thought on each episode on the Friday after release. If you are involved in the Listen-A-Long, or Read-A-Long, or just posting your thoughts each week, feel free to leave a link to your post in the comments and I will add it to my weekly roundup of post.
It’s Week 7 of The Human Division Listen-A-Long, and of course, John Scalzi, the master of writing stuff, knows his business. Mr. Scalzi understands how to keep his readers happy, and proves it by following these basic author type rules.
If you feel your readers are starting to drift off, add a dog.
If you feel your tale needs more emotional impact, put said dog in jeopardy.
Always merge unlikely earth species together to make awesome aliens, for example Tick Bears. See also Squid Giraffes, Goat Eagles, Gorrilaroos, and The Platypus.
In The Dog King, Lt. Harry Wilson is assigned the task of watching over an Ambassadors dog while she’s mediating an important and tricky treaty on a planet involved in a bloody civil war. While performing his duties, his charge, a Lhasa Apso names Tuffy makes a discovery that puts both the mediation and Tuffy’s life in jeopardy. While The Dog King seemingly adds little to the underlining mystery of The Human Division and the Old Man’s War universe, it’s a great example of why this serial storytelling works. The Dog King seems like a part of a book that would end up on the editing floor, to be released later as a short story. Yet, the serial nature of the Human Division allows us to experience this little gem, while wondering if maybe this story will actually be important in the final disposition of the tale. The great thing about The Dog King was that most of the twists and turns of the story were predictable, and totally telegraphed, and yet I loved them all the same. Sure, I’m a sucker for a good dog story, but while I think they can be seen as cheap attempts to play on out love of man’s best friend, they also give us bits of insight into the characters. While Harry Wilson could seem a bit callous towards Tuffy, you could also see that in fact he’s just an old softy as he goes out of his way to save the little pooch. Of course, it’s because it served the greater good and not because he LUVS THE PUPPY… WHO’S A GOOD BOY… TUFFY… TUFFY IS A GOOD DOG YES HE IS.
One of the things I notice, as an audiobook listener, is that Scalzi often uses rapid fire dialogue from multiple characters as a way to create tension in a scene. I also noticed, particularly in Redshirts, that this requires a bunch of dialogue tags to help keep things coherent in print, but somewhat painful in audio. This episode had some of these moments, but I was impressed with William Dufris, because he managed to soften the impact of them. Also, my favorite non-dog character of this episode was the Groundkeeper Alien, who had some of the best moments of the entire serial, and they were delivered perfectly by William Dufris, inciting more than one laugh out of me. I really enjoyed The Dog King, and if you didn’t, well, then you probably have no soul or are a cat person, which probably amounts to the same thing.
As part of The Human Division Listen-A-Long, hosted by The Audiobookaneers, I will be posting my thought on each episode on the Friday after release. If you are involved in the Listen-A-Long, or Read-A-Long, or just posting your thoughts each week, feel free to leave a link to your post in the comments and I will add it to my weekly roundup of post.
First off, I must get something off my chest. I like and respect John Scalzi as a writer, and find him relatively enjoyable in his social media outlets. That being said, I often decry when an author uses his art as a poorly disguised platform of propaganda for a specific world view. For far too long Scalzi has been spouting his pro-Churro propaganda, and now it his bled into his writing. For Shame, Mr. Scalzi…. now go spend that Churro money on some dignity. Now, that the unpleasantness is over, for this week’s The Human Division we get Aliens and the Conclave. I for one cheered at this. One of the things that really pulled into the Old Man’s War series, as well as some of his other novels, like Agent to the Stars, was Scalzi’s depictions of alien cultures. So, I was excited about a tale from the perspective of The Conclave. In The Back Channel, the leader of The Conclave is attempting to ebb the tide of anti-Human sentiment. When he discovers the existence of a Colonial Defense presence on unauthorized human Wildcat colonies, he sends his agent Hafte Sorvalh to establish a contact with the CDF, to try to prevent the break out of war. I really enjoyed this episode, but mostly because it fit nicely into my bread basket. I always enjoy the backroom dealings and subtle manipulations of political subplots, and felt The Back Channel was cleverly done. It also gave us a nice moment where some not so nice people were given their comeuppance, and that’s always nice. I was slightly disappointed in the lack of detail in some of the alien species, but being that this really wasn’t the point of the episode I can hardly complain. There was just the right amount of humorous touches within the tale to keep me feeling good. My major concern with the tale is it seems to wrap up some subplots within the story a bit too cleanly, and I worry that it removes some level of tensions without adding anything in its place. Of course, being this is a serial novel, that’s always what next week is for. Overall, I think if you are a reader who enjoys political maneuverings in your scifi, you will enjoy this episode, and for everyone else, it’s a nice but forgettable side trip in a rich tale.
When I read the synopsis, I was like OMG SCALZI"S GONNA MAKE DUFRIS TALK ALL CRAZY ALIEN!!! What I didn’t expect was a nice exotic feel, with a soft, sardonic humor in his characterization of Hafte Sorvahl. Dufris adds a textured richness to this episode that was nice. I especially enjoyed the light hearted tone Dufris used when Sorvahl were dealing with the racist wildcatters. It was the perfect delivery, full of humor and just the right counterbalance to the obnoxious scumbags she was dealing with. I think this is one of those episodes that may actually come off better in audio then in print, so to all you enjoyers of the Print Scalzi, +1 to us Audiobook Scalzis.
As part of The Human Division Listen-A-Long, hosted by The Audiobookaneers, I will be posting my thought on each episode on the Friday after release. If you are involved in the Listen-A-Long, or Read-A-Long, or just posting your thoughts each week, feel free to leave a link to your post in the comments and I will add it to my weekly roundup of post.
In this week’s episode of The Human Division titled Tales From the Clarke, Scalzi tries to twist and turn, and pull things out of left field in this intriguing story. We are back with the crew of the diplomatic ship, The Clarke, yet, it’s a crew without a ship. So, when the CDF needs a group to deliver a ship to Earth as a sort of peace offering, Captain Colonna is tapped. Coloma assigns Harry Wilson to deal with the Earth diplomats, since he is originally an Earthling himself and Harry begins to get the feeling that something is not quite right with the mission. This is probably the first episode that I am less than enthusiastic about. OK, I enjoyed the heck out of it, and got more than a few chuckles along the way but in all honestly, the plot seemed a bit convoluted, and I am unsure how it will play into the entire series. I really enjoyed the beginning with Colonna under questioning, and the final disposition of The Clarke, but after that, things got weird. I think, with all the other episodes, I was looking for more conspiracies within conspiracies and then when the big reveal came, I was sort of miffed with it. Not that it didn’t work, but that it wasn’t really what I was expecting and the reasoning behind it seemed very specious. In fact, there is a big part of me that still feels that something more was at play and that something more was the only thing that could justify the risk to a group that has been chosen to act as a fire team for the CDF. Also, as a baseball fan, I loved what Scalzi did here, but have trouble with the idea that a certain team could ever escape its futility. I mean, I have accepted skip drives and strange alien species, how much more can you expect out of me? All in all, I liked the episode, but I feel my overall impression of it will be affected more by future episodes than any of the previous episodes of the series.
Again, William Dufris was in the zone for this episode. I think that Dufris is becoming more and more comfortable with the underlining humor of this series, and is now managing to capture the often subtle wryness of Scalzi’s storytelling. There were certain moments in this tale that got a laugh out of me, that I don’t think would have in print. Also, with us returning back to the main story arch, I feel he’s really taken command of the characters. While this episode wasn’t full of the bells and whistles of many of the previous episodes, it was the kind of solid, character driven storytelling that the author and narrator both excel at.
Today, as a special treat to all of you The Human Division fans, as well as audiobooks in general, veteran actor, voice over artist, and narrator William Dufris, voice of John Scalzi’s The Human Division and over 300 other audiobooks answers a few of my questions. Dufris voice has been heard in movies and TV Series, as well as cartoons like Bob the Builder. William also produces full cast audio movies with his company The AudioComic Company. I am very excited to have him stop by my little corner of the internet today.
Bob: First, off William. I want to thank you for taking the time to answer these questions. I’ve been an avid audiobook listener for nearly 8 years and have probably listened to over 1,000 audiobooks and, for me at least, you are one of the iconic voices of the medium, and one I can trust to tell me a good story. So, let’s start out with an easy question, how did you get started in the industry?
William:Thanks, Bob!
Actually, my start in the world audio work was based on constant rejection. I relocated to London with my future 1st wife in the late 80’s, and immediately began seeking acting work. However, to my dismay, I discovered the old adage, “It’s not what you know, but rather who you know” that will get you workrang quite true there. Producers would hire English actors with passable American accents, with whom they’d worked before, rather than an untried and untested nobody like me.
However, I persevered, and put together a clown show, through which I acquired my Equity card, followed by my first agent, who sent me to a BBC Radio Play audition… which I got. There, I met a number of fellow North American actors, who were all extremely generous in pointing me to potential voice work opportunities. Thus, I stared doing cartoon/film dubbing, language tapes, more BBC plays and audiobooks.
Bob: You seem to narrate within every genre, from memoirs to fantasy, taking on authors as diverse as Mark Twain, Mark Halperin, Richard K. Morgan and Dashiell Hammett. Do you have a favorite genre, or style of book to read?
William: Fortunately, I’ve always been an avid reader (under the covers with a flashlight, as a kid – always carrying TWO paperbacks, as an adult, just in case the first was finished before I returned home), and so I can’t confess to an all-time favorite genre. As long as there’s a good story, I can be easily hooked.
My absolute favorite narrations were: Mark Twain’s HUCKLEBERRY FINN, Dashiell Hammett’s THE MALTESE FALCON and Michael Rubens’ THE SHERIFF OF YRNAMEER.
Bob: My very first experience with one of your narrations was with John Scalzi’s Old Man’s War, now years later you have returned to that universe with The Human Division serial. What was you initial reaction when Audible approached you with the concept of a serial audiobook?
William: I was thrilled. He’s a wonderfully talented writer, who weaves plot and character in a delightfully convoluted fashion. He’s not a waster, either. He’ll drop a casual reference to something seemingly mundane, or other, and will return to it in such a clever way later on (nope… no examples. Ya just gotta discover it for yourself!). As a narrator, he really keeps you on your toes.
Bob: Was the recording experience handled any differently for this project? Was there any specific challenges with this project due to its serialized nature that you haven’t experienced when recording a more traditional audiobook?
William: Basically, I received most of the files in one go, but was instructed to upload each chapter separately, and within an established schedule. The only trick is to maintain a flow, as other work demands attention in between these uploads. Fortunately, the chapters themselves, although linked, are nearly complete stories in and of themselves.
Bob: How do you typically prepare when recording an audiobook? Do you have a specific method for deciding on particular character voices, or is it more of an organic process?
William: Definitely organic. As an actor, I sorta ‘see’ the characters in a ‘filmic’ way. As I prep material, prior to recording, I ‘hear’ each character as I read along. Yup, Bill Dufris hears voices in his head!
Bob: One of the reasons I enjoy your work in particular in Speculative Fiction, is you seem to put a lot of thought not just into the voices of non-human species, but in individual characters within the species. One of my favorite audiobook series you work on is Taylor Anderson’s Destroyermen series, which host a ton of characters, including humans, the lizard like Grik, and our favorite cat monkeys (or us it monkey cats) the Lemurians. When you are in the recording studio, how do you keep all these characters straight?
William: I love Taylor’s DESTROYERMEN series. What a world he’s created! Anyway, for the most part all the characters are now pretty much in my head. However, when I began prepping the first of the series, I notated each character on a sheet, along with any description provided by the author. From that, I decided on each particular voice. Most of the choices for the humans, though, comes from ‘attitude’, as opposed to a ‘sound’, as opposed to the obvious choices made for Grik and Lemurians.
Bob: What would you say is the strangest creature or character you had to voice?
William: Sheesh, there have been so many aliens, monsters, animals and weird humans passing through my mouth, I couldn’t really say. One of my more enjoyable ones was a character named Elvis – a blue, flatulent penguin (Uuuuuuurrrrrrrppppp… “Better out than in!”), created for a cartoon series entitled ROCKY & THE DODOS.
Bob: I recently discovered that you recorded a version of one of my all time favorite novels, Replay by Ken Grimwood and this is just one of over 300 audiobooks you have recorded in your career. Looking back over your extensive catalogue is there one novel or series that stands out as special to you? Is there an author or book that you wish you had the chance to record?
William: Well, I’ve already mentioned a few earlier on. As for authors, I would love to narrate Ray Bradbury. His work captivated me as a kid, and still wields a hold over me. I’d also love to do Thomas Tryon’s HARVEST HOME, a creepy tale set in my native New England, produced as a clunky TV movie w/Bette Davis back in the 70s. Annnnnnnndddd THE PRINCESS BRIDE, which has only been recorded as an abridgement by Carl Reiner.
Sooooooooo…
Bob: Not only do you narrate books, but you also produce audiobooks for you company The AudioComics Company. I’ll be honest, I have always been a little skeptical of the Full Cast Audio Drama, yet, recently I realized that many of the reasons I have avoided them are the same reasons I scold others for dismissing audiobooks. So, I’m going to give you a chance to sell me on Audio Comics, as well as tell me a bit about what goes in to producing them.
William: Audio Movies are my passion. These are audio theatre pieces that are recorded with a full complement of actors, and underscored with music and sfx. Essentially, they’re akin to listening to a movie with your eyes closed, and with your imaginations (or “mind’s eye”) more fully engaged. A number of my earlier productions , HORRORSCOPES, are adaptations of classic and contemporary horror/sci-fi pieces. Our company, AudioComics (<www.audiocomicscompany.com> plenty of samples), has been producing adaptations of new and popular graphic novel titles, such as TITANIUM RAIN, HONEY WEST, STARSTRUCK and THE BATSONS. We have a number of other titles slated for the next few years, including BAD PLANET, created by actor/writer Tom Jane (HUNG / THE PUNISHER).
C’mon now, head on over to the site and give the samples a listen!!!You know you wanna.
Bob: You have now narrated audiobooks from some of my favorite authors including John Scalzi, Jonathon Maberry, William Landay, and Taylor Anderson. I know some of these authors like Maberry and Scalzi are big supporters of audiobooks, but I also find many authors take a very hands off approach to the audio versions of their novels. Do you enjoy working with an author when producing an audiobook and interacting with them about characters and pronunciations? Are there any authors who you have become fans of through working on their audiobooks?
William: I’ve actually contacted a number of authors, whose titles demanded answers about character(s), and all were very generous and helpful. They all seemed quite excited about their work being produced for audio, although it was usually me that had to stem my giddiness at chatting with a real live writer-type fella!
As for being a fan… the DESTROYERMEN series is one I’d hate to see close to a finish.
Bob”: The Human Division seems to be introducing a new audience to audio. Do you think that this project will open the door to more experimentation with new ways of delivering audio?
William: Good ol’ Audible are always looking for ways to grab new listeners. I’m sure they’ll come up with more!
Bob: Finally, are there any new projects that you are working on that you are particularly excited about?
William: Just the aforementioned audio movies we’vegot scheduled for the not-so-distant future. Keep your ears open!
Check out Williams titles on Audible.com, including the latest The Human Division episode. Visits William Dufris Website, Mind’s Eye Productions.
The Guilded Earlobe 