Audiobook Review: Down the River Unto the Sea by Walter Mosley

22 02 2018

Down the River Unto the Sea

Down the River Unto the Sea by Walter Mosley

Narrated by Dion Graham

Hachette Audio

Grade: A

In Down the River Unto the Sea Walter Mosley does something thoroughly impressive, he manages to put together a book that is both timely and timeless, a classic detective story written for a troubled time. The set up is classic noir, Joe King Oliver is a flawed man but a good cop. When his personal flaws allow him to be set up for a crime he didn’t commit, he finds himself floating between the world of cop and criminal, no longer comfortable in either world. Now, a disgraced detective, he’s tasked with preventing an injustice all to close to his own. Mosley excels at creating an uncomfortable but real world, and populating it with strong, memorable characters. In a world where we often see things as black and white, Mosley thrives in the gray. Joe Oliver’s complexities as an African American cop betrayed by those he trusted and thrust into a community that often sees him as the enemy, adds layers to a well tailored mystery. His transformation parallels the story brilliantly, moving him towards a surprising climax. Yet, strip away all these complexities and at it’s core Mosley tells a hell of a story, with exhilarating action, some well choreographed twists and populated with a slew of memorable characters.

Dion Graham handles the narration like a master musician who knows just the right instrument for the right moment. At times, smooth like a saxophone, at others, driving the pace like a bass guitar, Graham uses his voice like he’s scoring a film, creating a mood while bringing Mosley’s well conceived characters to life. With some books, I feel like narrators struggle to find the right voice to fit the author’s intent, but here Mosley and Graham seem to be workings like a team, Mosley creating them and Graham revealing their vibrancy. Down the River Unto the Sea succeeds where other tales have failed, to tell a truly human story that doesn’t exploit current events but lives firmly within our world’s new realities.


Audiobook Review: American War by Omar El Akkad

7 04 2017

American War by Omar El Akkad

Read by Dion Graham

Random House Audio

Grade: A
There is this odd debate going on about “message fiction” vs popular fiction. It centers around the idea that some authors are more concerned with the message than writing a good story. I think it’s odd because the best stories, no matter if they are complex character study or grand adventures full of laser guns and hovercraft battles, make you think. American War manages that balance brilliantly. I was enthralled with the tale from the moment I hit play, invested in the characters and intrigued by this scarily plausible near future world. I told myself that I was going to focus on this aspect, the fact that this was a great tale, well told. I’d leave all the discussion of how important this book is, how timely it’s slow burn multifaceted dystopia highlights the current events and the divide in American culture. Yet, what I didn’t expect was how I was affected by the ending.
Basically, Omar El Akkad’s novel fucked with my head. It seemed to use my perceptions against me and forced me to reevaluate much of my worldview. What’s brilliant about American War was it caused me to look at things I believed intellectually and challenged them emotionally. We often use the language of our culture to distance ourselves from the reality of debate and that comfort is stripped away from us in this novel. He challenges us to ask ourselves, what if the thing you fear is also the thing you love? By the end I was left feeling awkward and conflicted and weirdly, a bit guilty for just how entertaining I found the experience. American War is the most effective American dystopia since Sinclair Lewis’ It Can’t Happen Here and one that both frightened and entertained me. 
Many narrators can effectively perform a tale, but I think what divides the good from the great are the little moments, the small touches that make it more than just listening to someone tell are story but pulls you into the tale. This is just one of the things that Dion Graham excels at, a laugh, a small pause or stutter, an unexpected affectation that takes a character beyond the words on a page and makes them real to you. Add this to his impeccable pacing and rich voice and American War becomes more than just a book, but a full sensory experience. 

Audiobook Series Review: The Infinity Ring: Books 1 & 2 by James Dashner and Carrie Ryan

3 07 2013

A Mutiny in Time: The Infinity Ring, Bk. 1 by James Dashner

Length: 4 Hrs 30 Min

Divide and Conquer: The Infinity Ring, Bk. 2 by Carrie Ryan

Length: 4 Hrs 28 Min

Read by Dion Graham

Scholastic Audio

Genre: Middle Grade Science Fiction

Quick Thoughts: The Infinity Ring series is a fun science fiction adventure tale, with some likeable kid protagonists, and full of things that would have enthralled me back in my middle school days. For adults, it’s definitely a bit cutesy, and some of the twists are quite obvious, but I think the interplay between Dak and Sera’s perceived history and the realities we are taught add a bit of intriguing mystery to the tale that makes the series stand out.

Grade: B

Set in an Alternate Timeline where history is slightly altered from our own, The Infinity Ring series tells the story of two brilliant kids Dak Smyth and Sera Froste, who manage to perfect Dak’s parents’ time travel device, and are sent on a mission to restore the timeline from the manipulations of a shadowy group. As the world falls into chaos, Dak and Sera along with a surly teenage language expert Riq, must discover the inconsistencies of the time line to restore order. The Infinity Ring series is a fun action filled time travel adventure perfect for children looking to learn about history outside of what you would read in a text book. There is an almost afternoon TV feel to the story, and I think adults will be able to have some fun with the series despite some rather simple character development and well telegraphed twists. I have listened to the first two novels, the first of which takes our heroes to the time of Columbus’s voyage across the Atlantic, which in their timeline is interrupted by a successful mutiny. What I found interesting about this first story was how Dak and Sera was forced to battle against history as they know it, which painted Columbus as the villain in their history. I actually enjoyed book two even more, due to its more obscure historical epoch, dealing with the Viking Invasion. I found the second book, Divide and Conquer, full of some truly fun and funny scenes, plus, a dog. I always like a dog. All together, I found both books to be fun a science fiction adventure tale, with some likeable kid protagonists, and full of things that would have enthralled me back in my middle school days. For adults, it’s definitely a bit cutesy, and some of the twists are quite obvious, but I think the interplay between Dak and Sera’s perceived history and the realities we’re taught add a bit of intriguing mystery to the tale that makes the series stand out.

One of the big reasons I decided to check this out was that it was narrated by Dion Graham, and it’s so outside the typical Dion Graham audiobook experience I have had previously that I was intrigued to see if it would even work. Well, Graham brings such enthusiasm to the reading, infusing it with a sense of fun adventure. It’s not easy for adult narrators to voice kids, but Graham doesn’t go all squeaky and annoying, instead just puts a lot of energy into his voice, mimicking the competing enthusiasm and cynicism in children’s voices perfectly. The historical elements gives Graham a lot of opportunity to create various accents and characters which he takes full advantage of.  There is a truly cinematic feel to his reading where all the characters come alive and you find yourself more than just a bystander but fully immersed in all the action and history. I’m not sure I would have enjoyed this series as much in print, but Graham adds so much to the story, you can’t help but sit back and enjoy the ride.

Audiobook Review: The Cut by George Pelecanos

25 08 2011

The Cut by George Pelecanos (Spero Lucas, Book 1)

Read by Dion Graham

Hachette Audio

Genre: Crime Fiction

Quick Thoughts: The start of a new series brings Pelecanos’ signature style to another well plotted crime tale, and Dion Graham’s narration perfectly delivers Peleconos’ words to the listener.

Grade: A-

This is a Pre-Release Title. The Cut will be released August 29th, 2011.

George Pelecanos is one of the writers who changed the way I read crime fiction. I used to be in it solely for the mystery, to see if I could figure out the bad guy before the hero of the story did. For me it was an elaborate sort of puzzle. Sure, it helped if there were some interesting characters, fun suspense, and a couple of action scenes, but for the most part, I was racing towards the big reveal at the end of the novel. Yet, through Pelecanos and a few other authors, I began to realize that crime novels do not have to be about who-done-it. Often, it’s not much of a mystery who the bad guy is, yet, the why of the crime, the cultural influences that make up the mindset of the criminal and the investigator, and the setting itself offer much to the reader, if they are willing to embrace it. In The Cut, Pelecanos introduces us to a new series character, Spero Lucas. Raised in a multiracial adoptive home, Spero is still haunted by his time as a Marine in Iraq, and the death of his father while at war. Back stateside, he finds work as an unlicensed investigator for a criminal defense attorney. He also discovers he has a penchant for recovering lost objects. Spero is mostly satisfied in his simple life, enjoying what pleasures he can find in quality food, fine women, and good music. Yet, everything begins to go down hill when he accepts a job from a marijuana dealer awaiting trial to locate two missing “packages” that were stolen from his crew.

Spero Lucas is quite an intriguing character. He operates in a sort of morally neutral space between the police and the criminals, not really embracing of rejecting either side. He views his job dispassionately, simply as a way to make money. Yet, he has a strong sense of family and loyalty to those he served with in Iraq. In Spero Lucas, Pelecanos has created the perfect character to filter his crime stories through, allowing us to determine the morally ambiguous characters from the downright evil.  The beauty of Pelecanos’ writing is the way he makes his words flow, not through flowery language or some elitist verbosity, but a simple everyman sort of rhythm. His dialogue, both the inner dialogue of his characters and the external dialogue of the story has a poetic authenticity, full of slang and cultural references and a true understanding of how differing people communicate. Whether it’s two men comparing and contrasting their sexual status, or a couple discussing their musical preferences, the voices feel fresh, yet real. With Pelecanos writing style I would probably enjoy reading his tale of a families trip to the mall, but his writing is not a case of style saving substance. His plotting is lean and sharp, telling a story of crime and betrayal without taking unnecessary side trips. One thing I have always liked about Pelecanos’ stories is that we are not dealing with master criminals doing battle against brilliant agents of the law. These are simple men making their own decisions about what side of the law they will operate on, and what they are willing to do to achieve their ends. The Cut is a short fast tale of crime and its consequences, and the start of a series with a lot of potential.

Pelecanos’ writing translates almost perfectly to audio. Dion Graham brilliantly captures the flow of Pelecanos’ words and dialogue. Graham’s voice resonates like urban poetry, with beautiful timing and perfect affectations. He doesn’t simply read the words, but performs them. Sometimes just a quick pause before an adjective will give the following word an added measure of importance which changes the feel of the sentence over a straight reading, and Graham perfects this method, giving more strength and personality to Pelecanos‘  words. It was almost as if he channeled Pelecanos’ characters, giving each not just it own voice, but its own sense of rhythm. Dion Graham does in The Cut, what only the best narrators do, enhance an already amazing book. For those who are only planning to read The Cut, in my opinion, you are missing the best way to experience Pelecanos’ language, which is through the voice of Dion Graham.

Note: A special thanks to the wonderful people of Hachette Audio for providing me with a review copy of this title.