The 2015 Audies season is upon us and I for one am excited. Being that I didn’t listen to as many audiobooks in 2014 as I had in the past, I am excited to be taking part in Armchair Audies this year so I can discover some of the missed gems of last year.
In the past, I have felt critical of the Audies process, but I have come to terms with the fact that the process and criteria of an Audie nominated book may not need to exactly shadow what I believe makes a book standout. In the past, I \put much emphasis on the synergy between performance and context. I didn’t believe a title deserved to be nominated unless the content was just as “Award worthy” as the performance. This year, I am focusing more on the technical side, giving more focus to the “audio” then the “book.” Yet, since this is my predictions post, I am going to present some books in a few categories that I believe are worthy of recognition, due to both content and performance appealed to me. I have done well in the past in my predictions, so lets see how I do in 2015.
Let the Armchair Audies Games begin:
The Book of Strange New Things by Michel Faber
Read by Josh Cohen
Random House Audio
Josh Cohen’s performance in The Book of Strange New Things is a pure example of what makes audiobooks so special. His transitions from English to American accents were so seamless I had to Google him to discover his true nationality. Yet, it’s the haunting voice of his alien creatures, and the emotional impact of Peter’s communications with his wife Bea that make this not just a title deserving of a nomination in Science Fiction, but should give Cohen, at the least, consideration in Solo Narration of the Year.
World of Trouble, The Last Policeman, Bk. 3
by Ben H. Winters
Read by Peter Berkrot
The Last Policeman series may be the shining star in Peter Berkrot’s luminous career as a narrator. He gives a multifaceted performance that is both funny and emotional. He ushers us through a broken society with a wink, and takes us the brink of the world’s end with a comforting hand on our shoulder. He makes this wonderful novel work on so many levels, truly a performance worthy of the book.
Words of Radiance by Brandon Sanderson
Read by Michael Kramer and Kate Reading
Words of Radiance is so enthralling that there were moments that I forgot to breath. There is a reason why Michael Kramer and Kate Reading are THE voices of fantasy, they managed to guide me through of nearly 50 hours of audio, in a genre I often struggle with, and leave me wanting more.
Authority: The Southern Reach Trilogy, Book 2
Read by Bronson Pinchot
Jeff Vandermeer’s series about a strange terrain known as Area X has hit a cord with many speculative fiction fans. At times, I personally struggled with the series, but what I never struggled with was Pinchot’s performance in Authority. I know Pinchot is a wonderful performer, what I forgot was how funny he could be. Authority isn’t a humorous novel, but Pinchot is able to tap into the absurdity of the main character to bring the humorous aspects to vivid life.
Fear City by F. Paul Wilson
Read by Alexander Cendese
Alexander Cendese may be the biggest hidden talent in the audiobook business. His performance in the prequel series, Repairman Jack: The Early Years series, turned me into a fan of the series that spawned the prequels. When I did listen to the Earlier Repairman Jack novels, I found myself missing Cendese, despite excellent narrators like Dick Hill handling them. Given more opportunities, I feel Cendese could become a real force to be reckoned with in the industry.
Broken Monsters by Lauren Beukes
Read by Christine Lakin, Terra Deva, Sunil Mohatra, Robert Morgan Fisher, JD Jackson
Broken Monsters is not a comfortable listen. Beukes latest genre busting tale is disturbing on many levels. Yet, the material is brought to brilliant life by this mutli-cast performance. Don’t expect to sleep comfortable after this listening, but do expect to be utterly enthralled.
The Wolf In Winter by John Connolly
Read by Jeff Harding
Simon & Schuster Audio
John Connolly’s Charlie Parker series finally gets the performance it deserves, at least stateside, with Jeff Harding’s masterful handling of this genre blending novel. Harding, who has read the complete series across the pond in England, finally performs the American version as well. His gruff style manages to catch the flow of the narrative, adding to the chills of this paranormal mystery.
Mr. Mercedes by Stephen King
Read by Will Patton
Simon & Schuster Audio
In all honesty, I was not a fan of this novel. Personally, I though King’s attempt to do a straight mystery thriller fell flat in a genre filled with talented writers. Yet, Will Patton’s performance kept me in the game. Patton managed to make this boring novel interesting, and made me almost care about these characters. Based solely on performance, Mr. Mercedes is an good bet at landing an Audie nomination.
Well, there are my predictions. I should be tweeting my reaction to the Audies announcement tomorrow, using the hashtasg #Audies2015.