Audiobook Review: Pilot X by Tom Merritt

29 04 2017


Pilot X by Tom Merritt

Read by Kevin T. Collins

Audible Studios

Grade: B+

Many yeas ago a reviewer called the latest release by a band I liked “a blatant U2 ripoff.” The members of that band took those words as a compliment. So, in that vein, Tom Merritt’s novel, Pilot X is a blatant Dr. Who ripoff in the best possible way. It’s a timey whimey high stakes adventure full of colorful aliens, a main character whose engaging and charmingly out of his depths, a spaceship with more personality than most human literary characters and enough head spinning, reality altering time travel shenanigans to keep the reader unsure if they are even supposed to be guessing. Merritt balances seriousness and absurdist human at a level at least in the ballpark of Douglas Adams and delivers a clever engaging story to boot. 
I always enjoy Kevin T. Collins, and you could just tell he was having a lot of fun with this book. From Cyborgs and Alien Hive Minds to officious bureaucrats Collins delivers without ever going cartoonishly over the top but still managing to capture the humor in the text. His pacing is crisp, building the tension, keeping the listening engaged in the story. If you want so good old fashion science fiction fun, you can’t really do better than Pilot X. 

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Audiobook Review: Rewinder by Brett Battles

22 01 2015

Rewinder by Brett Battles

Read by Vikas Adams

Audible Studios

Genre: Time Travel Adventure

Grade: B

Brett Battles seems to enjoy writing Thrillers, no matter the subgenre. In his latest standalone thriller, Rewinder, Battles gives time travel a go with solid results. Rewinder reads like a cross between Poul Anderson’s Time Patrol stories, and Steven Jay Gould’s Jumper series. It’s not a particularly groundbreaking entry into the fray of time travel adventure, in fact, if anything, Battles quickly infuses the story with the feel of a pair of comfortable jeans. Instead of trying to create some clever new way to spin the genre, he puts his own spin onto time honored tropes. Like Jumper, Rewinder can work equally well as a Young Adult or Adult novel. While Battles main character Denny Younger is, well, younger, he doesn’t instantly fall into the character trapping of many young adult protagonist. Battles offers some interesting sociological insights, yet does it as a plot point, where his goal isn’t social commentary but just telling a damn good story. Battles creates a fast paced, exciting tale, with plenty of twists, that fans of old school time travel adventure novels will find perfect for an afternoon reading.

Narrating is more than just having a pleasant voice, and the ability to do character voices. A good narrator finds the right feel for a novel, and pushes the narrative in the right direction. Vikas Adams gives a strong textured performance, with a crisp reading that gives homage to the pulp nature of the tale. I have always admired Adams ability to handle both adult and children characters smoothly, something that isn’t really easy to do. I like that Adams gave Denny a youthful feel, yet still acknowledged that he was an adult doing an adult job. He captures the right blend of coming of age naivete, with a hardened edge of young man who grew up in the fringes of his society. Rewinder isn’t going to blow your mind, or have you rethink everything you knew about time travel, instead it will give you 8 hours of solid entertainment.





Audiobook Review: The First Fifteen Lives of Harry August by Claire North

24 04 2014

The First Fifteen Lives of Harry August by Claire North

Read by Peter Kenney

Hachette Audio

Length: 12 Hrs 10 Min

Genre: Science Fiction

Grade: A-

Here’s the thing: Give me a book about someone reliving their life over and over again, while maintaining their memories, and I’m gonna read it. And, more than likely, love it. People often say that there are no new plots, like that’s a bad thing. Maybe I’m strange, but often when I read a really good book, I want to read something just like it again. Maybe it’s the experience. You can never really re-experience a book again for the first time, but you can try and recapture that experience again through something else.

One of my all time favorite books is John Grimwood’s Replay. I friggin’ love that book for so many reasons. It’s time travel without the stupid machine. It’s a chance to fix your mistakes, or make new ones. So, when I heard about The First Fifteen Lives of Harry August, I knew I had to listen. It reminded me of Replay, and Kate Atkinson’s Life After Life. So, it’s hard to truly evaluate how much of my reaction to this novel is a reflection of the shared experience and how much was an appreciation of this specific experience.

Yet, I really liked Harry August, both the character and the novel, for many reasons. One of my favorite aspects is how Harry used each life to investigate a certain aspect of condition. Through science, religion, drugs whatever, he explores what it means to be a man reliving his life. This gives the novel a whole lot of metaphysical and scientific time travel speculation stuff that I always enjoy. I like novels that make my brain jump through hoops, consider strange possibilities, while maintaining character that I find engaging. The plot was full of moral complexities. How much influence should Harry and his like have on world events? Are they responsible to make the world a better place, or obliged to keep history flowing as close to the original path as possible? North explores these questions in interesting ways. I liked all this thinky stuff. The basic plot itself was fine. Harry receives a message from the future that something is happening to speed up the end of the world, and he investigates it. He works, at differing levels, with a group of others reliving lives called The Chronos Club. The investigation serves the purpose of creating conflict, and does it pretty well. All in all, I felt it came together well. In fact, The First Fifteen Lives of Harry August is a novel that stuck in my brain for a long time after finishing.

I was glad to finally get to listen to a audiobook narrated by Peter Kenney that I actually liked. I had listened to him once before, and his performance was the main thing that kept me in that game. Again, Kenney gives a wonderful performance. OK, some of his American voices sounded weirdly like Daffy Duck, but his handle on international accents was excellent, and he added so much texture to the reading. He moved effortlessly between long bouts of exposition and dialogue seamlessly, keeping the listener actively engaged. The First Fifteen Lives of Harry August is an experience I won’t soon forget, and the next time I see a book about someone living their life over and over again, I’ll probably be all over that as well.





Audiobook Review: The Flight of the Silvers by Daniel Price

16 04 2014

The Flight of the Silvers by Daniel Price

Read by Rich Orlow

Recorded Books

Length: 21Hrs 27 Min

Genre: Science Fiction

Grade: A

OK, so this may get weird.

The other day, I was finishing up a particularly disappointing listen. I had been in a strange cycle of awesome followed by awful in my audiobook listening, and needed to balance out the latest heartbreaking letdown with some new brain-busting goodness. Scanning through my pile of yet to be listened to audiobooks, my brain was screaming “NO NO NO!” at each one I perused. So, as normal people are known to do, I started to scan my extremely packed Audible Wishlist for something, anything that may tickle my malleus. Then, I saw this:

THE FLIGHT OF THE SILVER

“What the fuck is this?” I asked myself in my typically profane way. I had no recollection of adding this title to my Wishlist. While I have been known to add some weird stuff to Wishlist, this book didn’t seem to be some strange hedgehog porn title, or an Apocalyptic Robot Unicorn Spatterpunk Anthology, and I had no clue how it got onto my Wishlist. Immediately I went to my list of go to possibilities.

Drunk Wishlisting: This is of course, the cousin to Drunk Texting for the more socially awkward.

Hacker Pitches: Maybe some Author/Hacker gave up pitching their novels to me through email, and used the Heartbleed Bug to access my Audible Passwords to add their book to my wishlist.

The Pets: I know these bastards use my computer when I’m not home to fuck with me.

But, being curious I read the Publisher Summary. This book seemed really good. Like, something I would really like. Then it hit me.

Maybe, future Bob went back in time and added this book to my Wishlist, because it was so damn good.

But then, this creates a weird Paradox. How exactly would future Bob know this books was so good if it was never on his Wishlist and yet how was it added to my Wishlist unless future Bob knew it was good? Maybe, it wasn’t actually future Bob. Maybe, one night I faced a choice, embrace my extroverted side and go out and engage in some social activity like a normal person, or give in to my introverted half and spend the night researching audiobooks like some hermit auditory entertainment addict. Now, in the past, I tended to feed the introverted side, and stay home, but lately I have been more social. So, what if when I made this latest decision, the choice created an alternate timeline, where alt-Bob stayed home and discovered THE FLIGHT OF THE SILVERS, read it, became fascinated by temporal paradoxes, created a dimensional spanning time machine, traveled to the timeline where I actually engaged in social activities, and accessed my Audible Wishlist, adding THE FLIGHT OF THE SILVERS to it, knowing at some point I will be looking for an alternative to my latest disappointing listen.

I know, right! Makes sense.

So, I did listen to THE FLIGHT OF THE SILVERS and goddammit, Future Alt-Bob was on to something here. When a book starts with the utter annihilation on one existence, and get weirder from there, well, I’m in for the ride. THE FLIGHT OF THE SILVERS is tale of regular, everyday people, who just happen to be cross dimensional temporal superheroes who must come together to prevent the destruction of the multiverse. It’s like Markus Sakey’s Brilliance meets Fringe, with a touch of the Superfriends. You have all the typical superhero cliches, the tragic beginnings, the broken heroes, the discovery of their powers, the struggle with the ethical issues of power, silver glowing force field ball things, over the top action sequences and awkward romantic tension, yet added into it is some bizarre physics/timey wimey meta-mystical weirdness. Oh, and an isolationist alt-America that is rife with Xenophobia because WHY NOT!. To make it better, Daniel Price has the writing chops to pull what could be an incoherent mess, into a fast paced, exciting chase story. His characters are lovingly constructed, and come alive in your brain. His action sequences are so well put together, and detailed that at times they seem to go on a bit too long, but still keep you utterly enthralled. My only real complaint is that as part of a series, my brain wanted a bit more resolution. Sure, the story had a lot of strong reveals at the end, and it was pretty well contained, but Price utilized his temporal plotting to create lots of foreshadowing of potential things to come and I wanted to know NOW! THE FLIGHT OF THE SILVERS grabbed me from the apocalyptic beginning, and held onto me with it’s giant white fist through all the multidimensional time weirdness, to the exciting finale. It was pretty damn good.

There is a scene early in this book, where Amanda, a nurse and one of the future SILVERS, is trapped in her protective bubble as the world is being destroyed around her. It’s a brilliant and poignant scene between her and her somewhat estranged husband that has emotional resonance throughout the rest of the book. Listening to this scene, I felt like I was there, witnessing a conversation between two distinct people. It literally gave me chills. This is when I said to myself, “Rich Orlow is a pretty badass narrator.” And, really, he is. There are performances to remember, and Rich Orlow gives one here. His handling of the many characters was wonderful. From the sociopathic creeper Evan to the strange otherly beings that seem to be directing each step the Silver take, Orlow nails them all. His pacing is spot on, allowing each sequence to move at just the right speed. While we are only a few months in, this is definitely one of my favorite performances of the year. Dammit, the man even sings a bit. If you like science fiction, time travel, shiny awesome things, or have a soul trapped somewhere in your flesh cocoon, give THE FLIGHT OF THE SILVERS a listen.





Audiobook Review: The Company of the Dead by David Kowalski

24 09 2013

The Company of the Dead by David Kowalski

Read by Peter Marinker

Audible, Inc.

Length: 24 Hrs 46 Min

Genre: Alternate History

Quick Thoughts: The Company of the Dead was a tough one for me. I could have probably spent a thousand words writing about things I loved about the book, and another thousand complaining about the things I hated. In the end, it’s a wonderful tale of alternate history and time travel set against the backdrop of The Titanic bookended around an overly long, overly elaborate and often boring and confusing mess of an action novel.

Grade: B-

You would think a book involving The Titanic, Roswell, a time traveler named Wells, a Kennedy with an aim to establish his own personal Camelot, an alternate history where The United States was broken up and partially ruled by Japan, where the German Empire remains strong and the world is on the edge of nuclear annihilation would be so full of awesome it couldn’t possible be contained within a 15 hour audiobook, right? Well, probably so. The Company of the Dead is full of lots of awesome.  Lots. Sadly, it’s also full of overly elaborate scenes involving a cross country chase, mystical Indians, heavy handed world building and intricately detailed alternate history that fills up a production of over 24 hours. Honestly, I love long books. I used to dismiss books that came in under 300 pages. I used to evaluate a book based on the size of its type print, yet while The Company of the Dead had a wonderful start and a brilliant finish. The 20 hours between dragged on way, way too much.

Daniel Kowalski takes an ambitious plot, and manages to pull off a book that both thrills and bores. As a fan of alternate history novels, I have a lot of respect for what he does here. Much of Alternate history revolves around the "What if." An author will take one moment in time, and change it just slightly, and allow the ball to roll off course in fascinating ways. Here, a lone man, lost in his own past, decides to attempt to make the world a better place. One of his goals is to prevent the sinking of the Titanic. Sadly, despite his plans, he only alters its fate by a few hours. His attempts allow one man to live, industrialist and war hero John Astor, who goes on to become President. He uses his influence to keep the US out of The Great War, allowing the German Empire and the Japanese Empire to become global superpowers. After multiple wars with Mexico, Texas leads another succession from the Union, giving rise to The Confederate States of America. Now, Joe Kennedy, agent for the Confederate Bureau of Investigation,   armed with the diary of the time traveler Wells found in the wreckage of Titanic, is attempting to set the course of the world right.

Sounds complicated, right? Well it is. Yet, the alternate history, the time traveling angle, the look at the political, social and technological changes weren’t the issue for this novel. Kowalski actually creates a fascinating world, full of intriguing concepts spanning the historical, scientific and metaphysical. The problem for me was everything else. Kowalski tacks on an internal power struggle within the CBI, a complicated chase across the country where Kennedy is being hunted by his former lover and the first women to achieve agent status, and honestly, I got totally lost. There were times where I wasn’t even sure who just died, which characters were where and why people were shooting, surrounding, blowing up and threatening. Allegiances changed faster than a con man playing three card Monte. Kennedy had side deals going with the Japanese Germans, British, shamanistic Indians, Negroes, The Union, mobsters, and I think maybe even a Samurai or two. For me, it all meshed into an indescribable miasma of concepts and action, and if I wasn’t so intrigued by where it was all going, I may have given up on it.

What kept me in the game were the fascinating concepts he was playing with. I have to admit, I am a sucker for the philosophy of time travel. Kowalski asks so many intriguing questions. If you knew that the time stream you where living in wasn’t the true time stream, how would affect your decisions? Could the horrors that wee coming be due your actions based on your knowledge? Just how much do little decisions and innocuous changes affect reality? Kowalski takes on these concepts and so many more. In reality, I should have loved this book. If the book was a bit leaner, with a more coherent plot in the thick of the novel, I could easily see this becoming one of my favorite all time alternate history novels. Kowalski definitely knows how to create characters that you become invested in. This was one of the reasons I was so disconcerted when I got lost within the plot, losing touch with characters that I actually cared about within the rapidly moving, and ever shifting framework of the tale. The Company of the Dead was a tough one for me. I could have probably spent a thousand words writing about things I loved about the book, and another thousand complaining about the things I hated. In the end, it’s a wonderful tale of alternate history and time travel set against the backdrop of The Titanic bookended around an overly long, overly elaborate and often boring and confusing mess of an action novel.

So, I am about to go on an ugly American rant. Being an ugly American, I feel entitled. Why when an author is not American but British or Australian or some denizen of the Empire which the sun never set on, do we tend to get a British narrator for a novel set mostly in America with the majority of the characters being American? I don’t believe that American pronunciations are inherently better, but if a book is set in America with American characters, I would like a narrator that pronounces things like an American. There is something disconcerting to me to hear a man with a deep southern draw say "cu-PILL-a-ree" instead of CAP-ill-air-ee." I understand that Peter Marinker is a respected voice and stage actor but his narration didn’t work for me and  for a nearly 25 hour production, I would have loved a narrator that made me want to listen, and not one that I continued listening despite of. I hate giving the "I just didn’t like their voice" kind of reviews. I try to give well reasoned explanations for why I didn’t like a narrator. Yet, between the use of British pronunciations in American accents, an awful lot of mouth sounds, minimal character differentiation in a novel with a lot of characters and just an overall unengaging performance, "I didn’t like their voice" is about the best I can do. My issues with the narration was enough to get me to wonder  how many of my issues with the novel itself were due to the writing, or whether I would have actually been more engaged with a dfferent narrator. Sadly, that’s a question that can’t be answered. 





Audiobook Series Review: The Infinity Ring: Books 1 & 2 by James Dashner and Carrie Ryan

3 07 2013

A Mutiny in Time: The Infinity Ring, Bk. 1 by James Dashner

Length: 4 Hrs 30 Min

Divide and Conquer: The Infinity Ring, Bk. 2 by Carrie Ryan

Length: 4 Hrs 28 Min

Read by Dion Graham

Scholastic Audio

Genre: Middle Grade Science Fiction

Quick Thoughts: The Infinity Ring series is a fun science fiction adventure tale, with some likeable kid protagonists, and full of things that would have enthralled me back in my middle school days. For adults, it’s definitely a bit cutesy, and some of the twists are quite obvious, but I think the interplay between Dak and Sera’s perceived history and the realities we are taught add a bit of intriguing mystery to the tale that makes the series stand out.

Grade: B

Set in an Alternate Timeline where history is slightly altered from our own, The Infinity Ring series tells the story of two brilliant kids Dak Smyth and Sera Froste, who manage to perfect Dak’s parents’ time travel device, and are sent on a mission to restore the timeline from the manipulations of a shadowy group. As the world falls into chaos, Dak and Sera along with a surly teenage language expert Riq, must discover the inconsistencies of the time line to restore order. The Infinity Ring series is a fun action filled time travel adventure perfect for children looking to learn about history outside of what you would read in a text book. There is an almost afternoon TV feel to the story, and I think adults will be able to have some fun with the series despite some rather simple character development and well telegraphed twists. I have listened to the first two novels, the first of which takes our heroes to the time of Columbus’s voyage across the Atlantic, which in their timeline is interrupted by a successful mutiny. What I found interesting about this first story was how Dak and Sera was forced to battle against history as they know it, which painted Columbus as the villain in their history. I actually enjoyed book two even more, due to its more obscure historical epoch, dealing with the Viking Invasion. I found the second book, Divide and Conquer, full of some truly fun and funny scenes, plus, a dog. I always like a dog. All together, I found both books to be fun a science fiction adventure tale, with some likeable kid protagonists, and full of things that would have enthralled me back in my middle school days. For adults, it’s definitely a bit cutesy, and some of the twists are quite obvious, but I think the interplay between Dak and Sera’s perceived history and the realities we’re taught add a bit of intriguing mystery to the tale that makes the series stand out.

One of the big reasons I decided to check this out was that it was narrated by Dion Graham, and it’s so outside the typical Dion Graham audiobook experience I have had previously that I was intrigued to see if it would even work. Well, Graham brings such enthusiasm to the reading, infusing it with a sense of fun adventure. It’s not easy for adult narrators to voice kids, but Graham doesn’t go all squeaky and annoying, instead just puts a lot of energy into his voice, mimicking the competing enthusiasm and cynicism in children’s voices perfectly. The historical elements gives Graham a lot of opportunity to create various accents and characters which he takes full advantage of.  There is a truly cinematic feel to his reading where all the characters come alive and you find yourself more than just a bystander but fully immersed in all the action and history. I’m not sure I would have enjoyed this series as much in print, but Graham adds so much to the story, you can’t help but sit back and enjoy the ride.





Audiobook Review: The Shining Girls by Lauren Beukes

1 07 2013

The Shining Girls by Lauren Beukes

Read by Khristine Hvam, Peter Ganim, Jay Snyder, Joshua Boone, Dani Cervone, Jenna Hellmuth

Hachette Audio

Length: 10 Hrs 36 Min

Genre: Time Travel Crime Fiction

Quick Thoughts: The Shining Girl is a novel that never allows you to get comfortable. It shifts and blends, leaving you feeling disconcerted and disturbed but utterly enthralled. Beukes combines the elements of paranormal time travel and crime fiction in a way that lifts this novel about the typical, making it truly special.

Grade: A-

I have to admit, there was a small part of me that was hesitant about Lauren Beukes latest novel, The Shining Girls. Mostly I was excited. Very, very excited. For a while it was my must have novel of the summer. Let’s face it, this one falls right into my wheelhouse, a time traveling serial killer. I love time travel novels. I love crime fiction. And I especially love novels that blend my favorite subgenres together into something unique. The Shining Girls was like a gift from some deity saying “Hey Bob, here’s a book you will love.” Yet, part of me was still worried. There was one lingering aspect of the novel that had me concerned, the setting. I have nothing against Chicago. In fact, I think it’s one of the best settings for a crime fiction novel, full of political corruption, superstitions and colorful characters. Yet, my first experience with Lauren Beukes was her wonderful Johannesburg set Zoo City. One of my favorite aspects of Zoo City was a look into a city, although quite changed by Beukes magical shift, that I have rarely encountered in fiction. It offered something unique, beyond Beukes fascinating mythology, to see it play out in a setting I have known existed in mostly a theoretical level. When I learned Beukes was setting her next novel in Chicago, I was like “…but… but… Chicago isn’t in South Africa. I have read tons of stories that took place in Chicago!” I was worried we would be given a touristy glimpse of Chicago where we got to experience the Cubbies, and Ditka jokes and oh my gosh… they love Polish sausage. Yet, I guess I shouldn’t have worried. Sure, I missed the Johannesburg setting but Beukes time shifting trip through Chi-town offered a unique glimpse at this city that I have rarely encountered before.

Harper Curtis is a brutal killer from the past, who finds a strange house that opens him up to strange future worlds, where he encounters girls who shine only for him. He knows the house wants him to kill these girls, he just doesn’t know why but once he kills them all, this should be revealed. Kirby Mazrachi survived a brutal attack that the police believe was random, but she is sure is the work of a serial killer. Together with a former homicide reporter now covering the Cubs, she pieces together a series of brutal murders that could lead her to her attacker. The thing that I love about the Shining Girls is how both aspects of the novel work so well on their own. Strip away the strange paranormal house and time traveling elements, and you have a solid Crime Fiction novel on par with Michael Connelly’s The Poet or Warren Ellis’s Gun Machine. Strip away the crime fiction elements, and you have a seriously spooky ghost house story on par with such dark fantasists and Stephen King or Robert McCammon. It’s how Beukes layers these two elements together that elevates The Shining Girl beyond solid examples of these genres, to something brilliant and utterly beyond simple classification. Beukes has it set up so not even her characters know what kind of book they are in until it all crashes together in a breathtaking finale. Unlike most Serial Killer tales, this isn’t some Cat-and-Mouse game between a brilliant serial killer and those attempting to stop him. Instead, it’s almost as the players are working on their own puzzles, dealing with their own pasts, and putting together their pieces towards goals that eventually force them to the inevitable conflict. It’s not that there isn’t an procedural investigatory arc, there is and it’s quite strong in it’s own right, yet, Kirby and Dan don’t really know what they are looking for, so it’s like that are trying to make a picture out of pieces from many different puzzle boxes. Beukes doesn’t spend a lot of time setting up the mythology of the eerie house that sends serial Killer Harper on his time tripping spree. Instead she tickles around the edges of the paranormal, having the house be a tool not even the wielder understands. He knows he has a mission, and he understands that the girls are shining and must be extinguished, yet even he doesn’t truly understand the whys and hows. In many ways, he is also part victim, while a sadistic and brutal one. It‘s hard to say how much of his mission came from The House, and how much he becomes The House‘s mission. This sort of fluidity may be frustrating to some readers who want solid answers, but I found it to add to the disconcerting charm of the novel. The Shining Girl also reeks of authenticity. The city of Chicago comes alive in a way that you can’t find on tourist guides and her characters just feel real. Even the murder scenes are full of visceral imagery and meticulous detail that gives you insight into both the victim and the perpetrator. The Shining Girl is a novel that never allows you to get comfortable. It shifts and blends, leaving you feeling disconcerted and disturbed but utterly enthralled. Beukes combines the elements of paranormal time travel and crime fiction in a way that lifts this novel about the typical, making it truly special. The Shining Girl is a novel I will be thinking about for a long time, too of tem late at night as the darkness begins to creep into my dreams.

Hachette Audio has really made a name for itself by putting together some of the best multinarrator productions in the industry. In The Shining Girls, Hachette has brought together some of the best narrators in the business, and combined them with some new narrators with lots of future potential. All the narrators gave strong, solid performances. Khristine Hvam, as Kirby, is stellar as usual, and Peter Ganim deftly captures the charming yet unstable Harper Curtis. Jay Snyder has a brilliant, crisp almost perfect voice, and the work is so on point that you never really feel any disconnect when the narrators shift. Yet, I think this was also my problem with the audiobook version of The Shining Girls. At times, particularly with Snyder’s work, it seemed all too perfect. Jay Snyder has the vocal equivalent to movie star looks, and I would have loved to see a bit more flavor and grit in his performance of down and out reporter Dan Velasquez. Dan was ethnically Hispanic, and while I don’t expect him to sound like he just came up from Tijuana, I would have liked just a little Hispanic edge in his voice. I though the work of the smaller roles, particularly that of Joshua Boone and Jenna Hellmuth added just the right counterpoint to the other narrators. Dani Cervone was also strong, but her voice was a bit close to Hvams, which didn’t allow it to stand out as much as the work of the other two. Overall, the audio production was excellent. It was well paced, sounded crisp and in the end served the story well. Any issue I had came down ultimately to listener preference.

Note: Thanks to Hachette Audio for providing me with a copy of this title for review.