Audiobook Review: Symbiont by Mira Grant

5 02 2015

Symbiont (Parasitology, Bk. 2) by Mira Grant

Read by Christine Lakin

Hachette Audio

Length: 16Hrs 47Min

Genre: Science Fiction/Horror

Grade: B+

When Parasite came out, I was so excited. Mira Grant is like, the modern god of the scientific horror novel of some hyperbole. I loved the Newsflesh series, and was excited to see what she would do next. Plus, the book was about sentient tapeworms taking over their human hosts. Honestly, if you can’t get excited about sentient tapeworms taking over their human host then you probably aren’t my people.

Honestly, I should make that my online dating profile. Just list weird bizarre things that make me squeal and jump up and down in morbid glee, and if that makes you think I’m a bit weird, and the idea that being a bit weird is a negative aspect, well, you should probably pass on me.

So, Parasite came out. It was good….

I mean, I liked it but…

It really was pretty damn good…

OK, so basically, it wasn’t totally awesome, and I set myself up for totally awesome, so even pretty damn good was a bit of a letdown. So, I was less excited when Symbiont came out….

Symbiont, was pretty damn good. It’s hard to say whether I liked it more than Parasite or if my lessened anticipation just made it more fulfilling, either way, except for a few minor quibbles, Symbiont was maybe lightly brushing up against awesome.

Mira Grant has a great concept with this series, and Symbiont continues to explore it. Yet, despite the original concept, Grant storytelling has a traditional comfortable feel. This is actually a complement. Many authors today value style so high it gets in the way of a good story. Grant seems to know that no matter how unique the setting of concept, the story has to be accessible and compelling. While she spends a bit too much time on Sal/Sally’s internal struggles, she keeps the story moving forward with strong action and interesting characters. As Symbiont is the second book in series, the ending leaves a bit too much up in the air, which gives the take and incomplete feel, which, I guess is expected since the tale is, in fact, incomplete but I hoped for a bit more of a substantive ending. Symbiont moved the series in the right direction, giving us a greater glimpse of a world shattering around itself opening up space around the tale to give it a much bigger feel.

Christine Lakin gives a solid performance. Basically, she does her job and does it well. She has a pleasant voice, and is technically proficient. In all honestly, I really don’t remember much specifically about her performance. It won’t stand out as one of those amazing performances that remind me why I love audiobooks. Mostly, she just got out of the way of the story. Sometimes this is the best thing for a narrator to do. I think Symbiont could have benefited from a narrator that took a few more risks, but it also could have turned into an utter disaster, so I’ll take it.

If you liked Parasite, and don’t mind a few of Grants particular peccadilloes, than you will probably be quite satisfied with Symbiont. Just remember that this is just book two in a series, so don’t expect to feel like anything has actually been accomplished.





Audiobook Review: Parasite by Mira Grant

12 11 2013

Parasite (Parasitology, Bk. 1) by Mira Grant

Read by Christine Lakin

Hachette Audio

Length: 16 Hrs 11 Min

Genre: Science Fiction/Horror

Quick Thoughts: In Parasite, Mira Grant takes a bizarre concept and makes it horrifically realistic through well researched science. Full of fascinating concepts, wonderful characters and plenty of dark humor, Parasite is a truly compelling listen.

Grade: A-

In the start of a new series, Mira Grant once again blends genres, taking a concept that seems almost bizarre on its face, grounding it well researched and surprisingly realistic science creating a scenario that is more horrific than traditional supernatural horror. While the story is utterly unique, Grant revisits many themes that made her Newsflesh series stand out, skewed family dynamics, untraditional romantic bonds, a society that adapts to drastic scientific change and characters that break away from norms in delightful ways. In PARASITE, a revolutionary change in health management, developed as a responsive to the Hygiene Hypothesis, has genetically engineered Tapeworms controlling and monitoring the health of individuals. Sally Mitchell received one of the top of the line, early prototypes of the SymboGen Intestinal Bodyguard, due to her father’s high level position as a Government Scientist. After an accident that leaves her seemingly brain dead, Sally miraculously recovers, despite a nearly total loss of memory. Now, Sally must undergo regular testing by SymboGen, as well as her parent’s obsessive protective care, while she attempts to live a normal life. When a strange sickness begins to affect some with the SymboGen Intestinal Bodyguard, Sally finds herself pulled between her family, the man she loves, and the shady company that may have saved her life.

It’s no surprise that based on the concepts of potentially sentient tapeworms that I would absolutely love this book. Well, I did, for many reasons. Mira Grant has become the closest thing to the modern day Stephen King for me, and author who manages to thrill and horrify me on a consistent basis. What surprised me most about Parasite wasn’t the well written action, the fascinating science, or the mind numbing high concept plot, it was the humor that Grant infused throughout the novel. Despite the seriousness of the situation, Grant’s novel managed to elicit several inappropriate laugh out loud public moments for me. Sally Mitchell as a character was fascinating, but also managed to be a bit awkward and frustrating at points. Unlike Georgia from the Newsflesh series, while Sally was impressive and strong in her own way, she was quite naive, and even at times whiny. Yet, Grant filled out her cast with characters that balanced Sally out. Grants characterizations are superb, and the number of memorable, crazy, yet fully fleshed out characters was impressive. I love how every relationship in this book is pushed in interesting ways. Sally’s unique relationships with her family, boyfriend, coworkers and even the scientists at SymboGen are not just peripherals of the series, but informed the story in wonderful ways. While I loved Parasite, it wasn’t the perfect novel. It suffered a bit from being the obvious first book in a series. While many questions are answered, the story didn’t have the feeling of being a self contained story that Feed, the first Newsflesh book, managed to have. The big reveal at the end of Parasite was only truly a surprise to the main character. Yet, despite this lack of closure and the telegraphed twist, Grant does a lot with this story and does it well. I’m quite excited to see where this story goes. Again, Grant has created a wonderful world, which offers her plenty of places to play in, and I for one really enjoy watching Mira Grant play.

This is my first experience with Christine Lakin as narrator, and she did an excellent job with the story. Lakin found the right balance between strength and self doubt that peppers Sally’s personality. She read Sally with a quiet strength that was almost stoic at times, allowing the moments of emotional flair to have more impact on the listener. You could just feel Lakin having fun as she voiced Tansy, one of the more colorful characters of the series. She captured the comic absurdity of the character without turning her into a cartoon character. He pacing was brisk yet smooth, allowing the action to push the narrative without being forced. At times some of the lesser characters came of a bit cardboard, but the more colorful standout characters in the book truly came alive in Lakin’s hands. Mira Grant continues to impress me, and I will be waiting trepidatiously yet with growing childish glee for the next entry in this series,