Audiobook Review: Ghost Walk by Brian Keene

30 04 2017

Ghost Walk

Ghost Walk by Brian Keene

Read by Chet Williamson

Crossroad Press

Grade: B

I have had a very sporadic love affair with Brian Keene. Well, at least his books. I’ve loved many of his books, particularly is apocalyptic novels, but have only read a few of his more traditional horror novels. Now that he has a deal with Crossroads Press to release his books into audio, I plan to flesh out my collection. My first foray into this is Ghost Walk, the loose follow up to his novel Dark Hollow. Ghost Walk is a serviceable one-off horror tale of a Halloween Attraction gone tragically awry due to supernatural interventions. Yet, where it truly excels in it’s place in Brian Keene’s larger mythos and in particular, the introduction of one of his reoccurring character, Levi Stoltzfus. One thing you learn quickly in Brian Keene’s scarred from their encounters with the entities from the labyrinth, and the implications of these scars ripple out beyond the ending of any particular book. Ghost Walk is old school horror that truly is horrific.

Chet Williamson is one of those narrators that isn’t always my cup of tea. He has more of the old school style akin to many of the originals big voices of audiobook Narration like George Guidall or Richard Ferrone. I’m not typically a fan of this style yet occasionally, with the right book it works. I though his performance in Keene’s The Complex was outstanding. I wasn’t as enamored here, but as the book played out, and things seemed to get more bizarre and crazy I fell under his spell. Williamson is strongest in this genre, and he delivers a solid performance that is suited to this book.





Audiobook Review: A Criminal Defense by William L. Meyers, Jr.

25 04 2017


A Criminal Defense by William L. Myers, Jr.

Read by Peter Berkrot

Brilliance Audio

Grade: C

So many legal thrillers are about a crusading defense attorney protecting the fragile rights of his downtrodden client against an over zealous prosecutor in a system skewed against them. Yet A Criminal Defense takes a different approach. It’s about a whiney entitled lawyer and a menagerie of asshats fighting an asshole prosecutor to protect a rich, unlikeable megalomaniac. All the characters are so unlikeable that despite how well constructed the lawyers intricate plans are you hope they all come crashing down and everyone involved is locked up in a shipping crate and sent out to sea, never to return. William L. Meyers delivers a lot of smart twists and managed to surprise me more than once yet all that was in service of characters who I just couldn’t find the latest motivation to care an iota about. 
I’m a fan of Peter Berkrot. With the right book he can suck you right into the story. Maybe this just wasn’t the right story. He just seemed like he was trying too hard. Most of these characters were that extra dull flavor of vanilla and had the personalities of robots stuck in the perpetual blue screen of death and trying to breathe life into them was about as futile as doing CPR on a crash test dummy. Plus, the first time I heard him call Wawa “Wall-Wah” I wanted to throw my delicious hot Wawa coffee in his face. (I’m a very sensitive Wawa enthusiast.) Part of my issue is that as a Philadelphian, I expect books set in Philly to have a Philly feel that just wasn’t there. Overall, this was the odd meshing of being impressed by the writer and intrigued by future work but hating this particular novel. 





Audiobook Review: Waking Gods by Sylvain Neuval 

21 04 2017


Waking Gods (Book 2 of the Themis Files) by Sylvain Neuvel

Read by a Full Cast

Random House Audio

Grade: A

I am a 43 year old man who grew up on proper grammar and professional distance. I take my role in the thoughtful analysis of fiction through the spoken word seriously. I am not given to hyperbole or flamboyance in my writings. I am not in touch with the hip slang or latest trending meme. I am not some tech savy YA reviewer who uses emoji and gifs as a modern form of hieroglyphic language to portray their enthusiasm for the latest release from the favorite authors. Giving these limitations as a reviewer, I can best sum up my experience with Waking Gods, the sequel to Sylvain Nueval’s Sleeping Giants as thus…

HOLY SHIT!!!

I truly apologize for the profanity, use of ALL CAPS, and overuse of exclamation points. But really…

OMGOMGHOLYSHITWTFWTFROBOTSOHSHITCOMEONMANOMGOMG!
Ok, I know many of you still like some sort of visual prop to express my delight at this book, so this was basically my emotional state while listening to this audiobook.

giphy

It’s next to impossible to evaluate Waking Gods the novel, and Waking Gods the audiobook experience separately. Honestly, if I simply read the text I am sure I would have thoroughly enjoyed it, but I highly doubt that I would have squealed orgasmically so loud that my neighbors dog started simultaneous humping his Chewbacca throw pillow. Random House Audio has  created a rock and roll blockbuster of an audiobook experience that at times gave me chills, made me cringe and had me jumping up like I was an Ecstasy fueled time traveler at a Nirvana concert.

Fans of Sleeping Giants think they know what to expert. They do, if they multiply their expectation exponentially. Waking Gods is more than an audiobook. It’s an audiobook experience dipped in chocolate, laced in meth, and smashed repeatedly into your brain.

I think I liked it.





Audiobook Review: In the Darkness, That’s Where I’ll Know You: The Complete Black Room Story by Luke Smitherd

19 04 2017


In the Darkness, That’s Where I’ll Know You: The Complete Black Room Story by Luke Smitherd

Read by Luke Smitherd

Flying Body Press

Grade: B

I was in a bit of a rut. I had started two very smart, clever science fiction novels and found myself in awe of the writing and impressed with the concepts but not actually enjoying the experience. So I said, screw it, give me something fun. I had downloaded In the Darkness, That’s Where I’ll Know You a while back after thoroughly enjoying Luke Smitherd’s The Stone Man and than forgot about it. I started it as a desperation move, hoping to get my groove back and I’m glad I did. This novel, the complete version of his Black Room was truly a Bob novel, a weird physic novel full of likable everyday characters and awkward romance. Smitherd tells a tale with dark themes balanced out by goofy humor. It was both smart and good fun, never taking itself too seriously just delivering an entertaining read. 
One of the reasons I hesitated on listening to this was that it was narrated by the author. Smitherd has a nice voice but as us rabid audiophiles know, a nice voice isn’t enough. There were plenty of flaws with his reading. His pacing in the beginning was a bit awkward. The biggest issue was with the perspective transitions, they were often too fluid, not allowing you to realize you moved from one POV to another, which lead to a dissonant feeling pulling you momentarily out of the story. Yet besides these issues, I found myself enjoying the narration. He manages the tongue in cheek humor with a British subtlety that perfectly suited the story and his enthusiasm for the story was infectious. While a professional narrator could have enhanced the experience, don’t let the fact that the author narrated the tale scare you off. 





Audiobook Review: The Dark Room by Jonathan Moore

13 04 2017


The Dark Room by Jonathan Moore

Read by David Colacci

Highbridge Audio

Grade B
The Dark Room, Jonathan Moore’s loosely related follow up to The Poison Artist, was not the book I expected. Crime fiction is full of the twisted antihero. Police Procedurals tend to focus on gruff, lone wolf, self destructive detectives who push the boundaries of the law to get justice. So, when I slowly began to realize that the main character of this novel, Gavin Cain was a competent, well adjusted and likeable police detective, I was like… What the hell! The Dark Room is a solid mystery full of noir atmosphere that should delight hard core crime fiction fans. It was well written, full of dark twists, hidden secrets and memorable characters. Yet, like The Poison Artist, I think I respected the writing and appreciated the storytelling more than I actually enjoyed it. It was one of those experiences where I wanted to race to the end partly because I wanted to know what happened, but mostly because I was ready to move on to the next book in my queue. 
So, David Colacci narrated this book. I’m not so sure what else to say. You basically know what you’re gonna get when Colacci reads a book. Typically solid, easily listenable but rarely will you be blown away by his performance. His pacing is solid but his characters are pretty exchangeable and his British accent was at best, dull. Overall, I’d put The Dark Room in the upper tier of crime fiction but I also don’t see it as a book that will linger in my mind for any significant amount of time. 





Audiobook Review: Change Agent by Daniel Suarez

10 04 2017


Change Agent by Daniel Suarez

Read by Jeff Gurner

Penguin Audio

Grade: B+
So, let me give you the synopsis to every Daniel Suarez novel…
HEY GUYS! There’s this crazy new technology! It’s so cool.
Oh, here’s how it’s gonna alter everything you take for granted and probably kill you. 
Poor main character! He’s sucked into something nobody could prepare for.
CRAZY CHASE SCENE! CRAZY CHASE SCENE! 
BANG!
WHIZ!
REALLY BAD GUYS DOING BAD THINGS! HERO DOESN’T KNOW WHO TO TRUST LOOKS FOR UNCONVENTIONAL HELP! BETRAYAL! INTRIGUE!
BIG EXPLOSION!
CRAZY CHASE SCENE!
EPIC SHOWDOWN! 
WORLD CHANGED FOREVER! 
Suarez’ latest continues his trend of causing more arrhythmia’s than a Five Guys Double Bacon Cheeseburger with all those extra fries in the bottom of the bad. It makes the Fast and the Furious franchise feel like an EB White novel. Sometimes, the craziness can be overwhelming, and it takes a bit of adjustment to settle into his near future world but once you settle in you just gotta hold on to the handrails until the ride comes to a complete stop. 
Jeff Gurner must have been genetically altered with larger lung capacity because there’s huge sections of the novel where I’m not sure he ever got a chance to take a breath. Add to that the international locales and ethnically (and biogenetically) diverse cast and Gurner should get hazard pay for this novel, but, as usual, he performed the hell out of it. Suarez pushes the boundaries of what you expect a technothriller to be, and with Jeff Gurner and plenty of oxygen to prevent breathlessness, Audio is the way to experience it. 





Audiobook Review: American War by Omar El Akkad

7 04 2017


American War by Omar El Akkad

Read by Dion Graham

Random House Audio

Grade: A
There is this odd debate going on about “message fiction” vs popular fiction. It centers around the idea that some authors are more concerned with the message than writing a good story. I think it’s odd because the best stories, no matter if they are complex character study or grand adventures full of laser guns and hovercraft battles, make you think. American War manages that balance brilliantly. I was enthralled with the tale from the moment I hit play, invested in the characters and intrigued by this scarily plausible near future world. I told myself that I was going to focus on this aspect, the fact that this was a great tale, well told. I’d leave all the discussion of how important this book is, how timely it’s slow burn multifaceted dystopia highlights the current events and the divide in American culture. Yet, what I didn’t expect was how I was affected by the ending.
Basically, Omar El Akkad’s novel fucked with my head. It seemed to use my perceptions against me and forced me to reevaluate much of my worldview. What’s brilliant about American War was it caused me to look at things I believed intellectually and challenged them emotionally. We often use the language of our culture to distance ourselves from the reality of debate and that comfort is stripped away from us in this novel. He challenges us to ask ourselves, what if the thing you fear is also the thing you love? By the end I was left feeling awkward and conflicted and weirdly, a bit guilty for just how entertaining I found the experience. American War is the most effective American dystopia since Sinclair Lewis’ It Can’t Happen Here and one that both frightened and entertained me. 
Many narrators can effectively perform a tale, but I think what divides the good from the great are the little moments, the small touches that make it more than just listening to someone tell are story but pulls you into the tale. This is just one of the things that Dion Graham excels at, a laugh, a small pause or stutter, an unexpected affectation that takes a character beyond the words on a page and makes them real to you. Add this to his impeccable pacing and rich voice and American War becomes more than just a book, but a full sensory experience.