2013 Zombie Awareness Month
While Zombies have been around for centuries, they are currently hitting the mainstream in a big way. Zombies are not just for adults anymore. Young Adult authors are using zombies of all shapes, sizes and speeds to tell their stories, and they aren’t holding back on the darkness and gore. Today I have asked some of the Top Young Adult authors some questions on Zombies and Young Adult Literature.
Today’s Participants are:
Sean Beaudoin, author of The Infects
Growing up in the 80’s most of the Young Adult Novels I read were about Chocolate Wars, being The Cheese and becoming Invisible (So, yeah, I went through a Cormier phase) Today, it seems there is so much more diversity in Young Adult novels. What do you thing makes Zombies so interesting to today’s youth?
Ilsa J, Bick: I’m not so sure they’re more or less interesting today than they were in the past. These kinds of books were around for us, but they were marketed to adults. (Remember: the Borg of Star Trek: TNG are really very much the same thing when you get right down to it; they even walk like zombies–either that, or goose-stepping Nazis.) I think YA writers today have more freedom to write the stuff that kids might want to read. What we churn out, though, is really no different than anything you could’ve read in science fiction and fantasy (the YA lit of my day) or horror. It’s only that kids don’t have to read about adults in these situations; they get to read about themselves saving the day.
Darren Shan: I was (and am) a big Robert Cormier fan too! I’m actually trying to do some of the same things in my Zom-B series that he did in his books — encourage young readers to question the received wisdom of their elders, to think for themselves, to fight for a better and less cynical and manipulative world. I just do it with a bit more blood and gore! To be honest, I’m not sure why zombies are so hot at the moment. While interesting stories can be woven around them, as monsters I do find them rather one-dimensional, so I’m surprised by just how fascinated the mass market currently is with them.
Sean Beaudoin: Well, zombies were pretty interesting to me in the 80’s too. Don’t forget Evil Dead (evil book), Re-animator (evil scientist), Return of the Living Dead (punk rock/evil army experiments) and the original Dawn of the Dead (evil mall). I think everything is cyclical. There was plenty of demented violence in the comic books I was reading then. The technology is just better. Z in HD.
When writing for Young Adults, how do you approach the darkness and gore of the world of a Zombie Apocalypse differently than if you were writing for Adults?
Ilsa J, Bick: I don’t approach it differently at all. Nothing I write is more or less gory than an episode of The Walking Dead, a graphic novel, or the latest shoot-em-up video game. When I include a traumatic or horrible detail, it is to reinforce that actions have consequences. Pull a trigger, someone may died, and while it’s a horrible thing to see, it may, in fact, be more horrible to do.
The main difference, I think, between adult and YA lit is that these stories provide kids with a vicarious avenue for grappling with seemingly insurmountable odds–an awful, ravaged world–and winning, surviving, and doing the right and noble thing. All you have to do is think of the end of Matheson’s I am Legend to see the difference. One is nihilistic; a YA novel is likely to be much more hopeful. It kind of has to be because, at a certain level, what you’re really writing about is the scary transition from childhood to adulthood: to the moment when the kid works up the courage to walk out the door of his house into the wider world.
Darren Shan: I don’t. I learnt long ago (to my surprise) that when it comes to gore you can get away with an awful lot in YA books. Adult watchdogs aren’t that bothered about violence in books for teenagers — they tend to only really object if sex is brought into the equation. Personally I think it should be the other way round, and that in a truly healthy society we would be more concerned about our children’s obsession about weapons and fighting than in their interest in sexual curiosity. But this is the world in which we live, so when it comes to writing for young readers I have to be careful on the sexual front, but have a pretty free hand when it comes to the darkness and gore. That being said, as dark as my novels for young readers get, I do handle them differently to my books for adults, in that I try to introduce moral elements. For instance, I never condone the use of weapons. I always encourage readers to engage in conversation before relating to violence, pushing the message that most problems can be solved peacefully if we can engage openly and directly with those who we see as our enemies – although in my books, for dramatic reasons, this rarely happens! There is a clear line between good and evil in my YA books — while I don’t hide the darkness of the world from my readers, I do always say to them that it’s a darkness they can light up if they have the courage and the drive, that they can make the world a better place if they’re prepared to knuckle down and be better people than their elders.
Sean Beaudoin: I pretty much write exactly what I was going to write anyway and for some reason they keep publishing my stuff. I don’t write specifically for any age group. Some study just showed that 50% of people who buy YA novels are adults anyway. My new book, Wise Young Fool, definitely pushes the envelope. I’m sort of still half surprised I haven’t been arrested yet. But that may just be because it isn’t out until August.
What popular singer or hit TV series cast would you most enjoy seeing facing down a horde of carnivorous undead?
Ilsa J, Bick: NCIS: I want to see Leroy Jethro Gibbs and especially ex-Mossad operative Ziva David kick some undead butt.
Darren Shan: Singers and actors are harmless. I’d like to put Simon Cowell up before
them. Soulless puppet masters are the ones we should be wary of in this life, not their eager-to-please puppets.
Sean Beaudoin: I would love to see Ted Nugent quickly run out of ammo and then be eaten by a busload of zombie Girl Scouts. As far as TV, it wouldn’t bother me at all if a ravening hoard gorged on that Millionaire Matchmaker chick.
What aspects of today’s youth do you feel makes them better suited to surviving in a Zombie Apocalypse over us ummm…. older young adults?
Ilsa J, Bick: To be honest, I don’t think they’re well-suited at all. Most kids spend their entire lives these days staring at teeny-tiny screens and texting madly instead of having an open-ended conversation. They have no ability to sit quietly and do nothing, or notice much of anything that isn’t fed to them through earbuds or on a computer. Many have the attention span of gnats. A couple nights ago, there was some special Jeopardy for college kids, and while these guys knew about YouTube and songs, they had no idea what latitude and longitude were. So they’ll be both lost and starving. The only thing going for kids today is they might be faster, but only if they occasionally get off their butts and go for a walk or ride a bike. Otherwise, I think they’re dead meat.
Darren Shan:They are creatures of hope. I’m no benign hippy. I know children can be even crueller and more heartless than their older counterparts. But they also have a capacity for change that a lot of us in the greying brigade lack. Countless generations of children have grown up to make the same mistakes that their elders have, becoming money-driven, self-obsessed, planet-harming monomaniacs. But I keep hoping that coming generations will find a way to break the cycle and take us in a more positive direction. A zombie apocalypse could be beneficial in the sense that if the slate is wiped clean, maybe the young can build a better world out of the ashes of the old. That’s a concept I explore in Zom-B.
Sean Beaudoin: I don’t think teenagers believe anything any more, which is greatly to their advantage. Twenty years ago we all still were sort of under the impression that The Authorities would show up at any given disaster and take control and save our collective fannies. At this point any smart 17 year old knows you gotta make your own contingency plan, gas up the mini van, steal a few pallets of canned beans, and head for the hills. Let the walking appetizers stand there crying and bitching because the zombie cops haven’t shown up yet.
Most of characters in your novels are embroiled in some stage of a Zombie Apocalypse, spending each day fighting for their lives. What type of lives do you think they would have had if instead, they lived in a zombie free world?
Ilsa J, Bick: Well, if you’ve read my books, then you know my guys were haunted from the get-go. I’m not convinced their lives would be any better. In fact, in a couple cases, I think having to focus their angst on an apocalypse saved them.
Darren Shan: This isn’t actually the case. Without giving too much away, in Zom-B there are two types of zombie — the standard, braindead type, but also a small band of living dead teenagers who have regained their mental faculties (albeit while still needing to eat brains to survive). These are the central characters of the series. I wanted to look at what it would be like if you became a real monster, and if it’s possible for human kindness to exist in even the most unlikely of places. For some of these characters, the zombie apocalypse is actually a weird sort of blessing, as it forces them to become better (undead) people than they would have been in ordinary life. In a nutshell, the main message of the series is that there’s hope for every single one of us — even those of us who for whatever reason find ourselves strewn among the seemingly damned…
Sean Beaudoin: Well, I think it’s pretty clear that Nick wasn’t having the greatest life. But I think everyone feels that way at his age. I certainly did, and so did everyone I knew. Anyone who seemed too pleased with their lot was probably spending too much time with the airplane glue. It’s possible that is one of the themes of the book, if I believed in themes: there’s really not that much difference. Survival is relative, but the love of a girl in steel toe’d boots is eternal.
Thanks to Ilsa, Darren, and Sean for stopping by. Look for more Zombie Roundtables this week, plus reviews of Zom-B City and The Infects.